Johannes Ockeghem (c1410 - 1497) was a composer who had one of the most far reaching impacts on the history of music. He was also the father of the musical form of the canon. So whether it is a canon by a modern composer, by Bach or by Pachabel - all these are but ripples of the impact that this man had on the destiny of Western music. However of all of the surviving works - there is a sadly lost 36 part mass cycle - the Missa Prolationum is the one that shows the grandiosity of his musical vision, his audacity and the genius of his mind perhaps far greater than any other.
The brothers Marcello, Alessandro and the more famous Benedetto, were born into an illustrious patrician family in Venice in 1684 and 1686 respectively. The eldest, with his eclectic talent, proved to be attracted to both the arts and the sciences from an early age; the youngest, better known as the “prince of sacred music”, was about to study the violin very young. According to legend, still children, Alessandro mocked him for his lack of talent in front of the princess of Brunswick, which made him swear to devote himself to musical studies in a zealous manner.
Following the untimely cessation of the much-beloved underground eclectics Sun City Girls in 2007 due to the death of percussionist Charles Gocher, the brothers Bishop (Alan and Richard) have shown no signs of slowing down their respective creative output. As the voice (and low end) of Sun City Girls, Alan Bishop (aka Alvarius B.) has continued, in his own way, to further the late band's legacy with a sprawling series of appropriately avant-garde recordings and world music experimentalism. As co-founder of the Seattle-based Sublime Frequencies, he and Hisham Mayet have tapped into the spiritual predecessors of Sun City Girls' pan-globalism, offering up little-heard recordings both classic and contemporary from around the globe.
In 1969 British singer/songwriter Michael Chapman took the U.K.'s folk-rock world by surprise with his debut album, Rainmaker, on the Harvest label. In an era when each week garnered a new surprise in the music world, gathering serious and widespread critical acclaim wasn't easy, and finding a buying public near impossible. Rainmaker showcases a new talent who holds nothing back for himself. Every songwriting principle and trick, killer guitar riff, and songwriting hook in his bag makes an appearance here (something he would never do again). As a result, there are several truly striking things about the album that makes it stand out from the rest of the Brit folk-rock slog from the late '60s. One of them is Chapman's guitar playing.