Holden

Compared to the freeform psychedelic churn of James Holden & the Animal Spirits’ eponymous 2017 album, or Three Live Takes, Holden’s 2018 collaborative EP with Moroccan Gnawa musician Maâlem Houssam Guinia, the British producer/DJ's soundtrack debut is remarkably restrained, a contemplative immersion in slowly cycling analog synths. Familiarity with the companion 2017 documentary about Southeast Asian political upheavals isn't necessary to connect to the score’s cool pads and pulsing arpeggios: Stripping away all the techno impulses and textural chaos, the score zeroes in on the heady ambient tonalities underpinning all of Holden’s work. It makes for a remarkable chance to hear one of avant dance music’s greatest talents unplugged—from his drum machine, at least.

John Holden is a multi-instrumentalist and composer from Cheshire, England. ‘I have had a strong emotional connection to music for as long as I can remember. In particular, at an early age, I encountered progressive rock. I enjoy music that can at times be pastoral and melodic, sometimes powerful and soaring; but always constantly interesting. The idea that there are no rules or boundaries has always appealed to me.’

John Holden is a multi-instrumentalist and composer from Cheshire, England. ‘I have had a strong emotional connection to music for as long as I can remember. In particular, at an early age, I encountered progressive rock. I enjoy music that can at times be pastoral and melodic, sometimes powerful and soaring; but always constantly interesting. The idea that there are no rules or boundaries has always appealed to me.’