Holland Music

The Dutch National Ballet take centre stage in this production of Minkus's opera recorded live at the Amsterdam Music Theatre in 2010. Former artistic director of the Bolshoi Ballet, Alexei Ratmansky, has added his own choreography, while still retaining the flavour of Marius Pepita's 1869 original version. Performers include Anna Tsygankova, Matthew Golding, Peter de Jong and Karel de Rooij.

These recordings came about because the directors of Club Francais du Livre decided to go into the record business. Their plan was to record the top French musicians of the time, each session having an American visiting guest star. One suspects that the documentation of each session was sketchy, for instance there is an unlisted Bass player on the Buck Clayton set and there are other similar anomalies. This in no way detracts from the music, the Buck Clayton session is a classic of the great and often underrated Mainstream Trumpet Man. Michelle de Villiers acquits himself very well on both Tenor and Baritone and the rhythm section is clean and swinging. Andre Persiany is a class act on keyboards and it sounds like a session where everyone was enjoying themselves…

Holland Baroque presents Minne, an improvised programme inspired by the love poetry of medieval mystic Hadewijch from Brabant. Hadewijch was a 13th-century beguine who wrote an impressive oeuvre of love poetry, providing an original, female perspective on medieval life. For this project, Holland Baroque works together with Bastarda Trio, a folk-jazz group combining the unique sonorities of clarinet, cello and contrabass clarinet. Inspired by medieval poetry, the result is a playful, passionate, truly contemporary album.

After recording Vivaldi's set of Violin Concertos 'La Stravaganza', Opus 4, in 2003, Rachel Podger has been immersed in music by Mozart and Bach on disc. But it has now felt right to come back to the Venetian Maestro, whose sense of drama she adores: “This time I chose his opus 9, the set of 12 Violin concertos entitled 'La Cetra'. There are plenty of jewels in this set, just as in 'La Stravaganza', with even higher technical demands made on the soloist including many, often exotic experimental effects.”

Here you have three absolutely breathtaking jazz performers locked into a studio for a day or so. From this combination of guitar, standup bass, and acoustic drum kit, you've got nine tracks of sheer jazz joy – three guys just blowing for the hell of it, recorded on the fly. There's a strong sense here that engineer Rob Eaton probably tried to get everybody properly set up and balanced before the session started and just gave up when everybody started playing. It's a delight to hear, because everything has gone into the performance, which is spontaneous and graceful – no going back for the next take here. Pat Metheny's playing is definitely modernistic, highly fluid, almost liquid lightning – no effects boxes here, though (he does play Synclavier on the last track, "Three Flights Up," but it's great anyway). Roy Haynes, likewise, should be heard by anybody wanting to get behind the traps: this man has a sense of humor, and he's a blur of motion. Dave Holland, on bass, is no slouch either, keeping pace with Metheny's guitar lines, and balancing up against Haynes' drums. Together, these guys are incredible.