Holly Moore

Cookie's Fortune unfolds over an eventful Easter weekend in the small town of Holly Springs, Mississippi. The town residents are peaceful, kind folk–with the exception of Camille Dixon (Glenn Close)–a pushy theatre director with an incredibly shy younger sister, Cora (Julianne Moore), whose estranged daughter Emma (Liv Tyler) has just returned to town. On the heels of her latest play, Camille is shocked to discover that her Aunt Jewel Mae "Cookie" Orcutt (Patricia Neal) has committed suicide. Terrified at the thought of how this will tarnish the family name, she eats the suicide note to make it look like a burglary. This set-up leads the police to one main suspect, Willis Richland (Charles S. Dutton), who also happens to be Cookie's best friend. Although the rest of the town is convinced Willis didn't commit the crime, an outside investigator (Courtney B. Vance) isn't so sure. As Easter Sunday and opening night of the play arrive, the truth comes out, revealing more secrets than anyone could have possibly imagined. Director Altman tells his story at a leisurely pace, beautifully recreating the eccentricities of small town life in this sweet-natured tale.

I Want You to Want Me is a song by the American rock band Cheap Trick from their second album In Color. It was the first single released from that album, but it did not chart in the United States. I Want You to Want Me was a number-one single in Japan. The Hooters were formed by Rob Hyman and Eric Bazilian and played their first show on July 4 of that year. They took their name from a nickname for the melodica, a type of keyboard harmonica which is German in origin, created by Hohner. Its musical style is influenced by Steinmans appreciation of Richard Wagner, Bruce Springsteen and The Who. Bat Out of Hell has been certified by the Recording Industry Association of America as a platinum album, fourteen times over.Holding Out for a Hero is a song recorded by Welsh singer Bonnie Tyler for the soundtrack film Footloose, and later included on her album Secret Dreams and Forbidden Fire.

Three CD set. Although the lushly-arranged, harmony-based late 60s Sunshine Pop sound is most readily associated with America in general and the sun-kissed California region in particular, the reality is that it was always an international phenomenon. What A Groovy Day is a thrilling four-hour celebration of Britain's contribution to the genre, ranging from household names (The New Seekers, Cliff Richard, Petula Clark, The Hollies, Herman's Hermits) to terminally obscure acts like Infinity and The Mellow Yellow, who failed to release anything at the time. Naturally our compilation includes contributions from the two uncrowned kings of the 60s British harmony pop sound, vocalist Tony Rivers (who provides us with our title song) and studio all-rounder John Carter, represented as both performer and songwriter. Other highlights come from posthumously-acclaimed Sunshine Pop maestros Design, a trio of music library recordings by the largely overlooked but hugely talented backroom auteur Barbara Moore and, perhaps most intriguingly of all, the first-ever release of The Sweet's first demo recording, cut when they were still known as Sweetshop.

Published by Documents (Membrane) in 2017. Featuring, Elvis Presley, Paul Anka, Pat Boone, Johnny Cash, Fats Domino,Cliff Richard, The Shadows and many more!

Joe Moore is incredible. Sometimes we wonder how time will treat the work of such a multifaceted, open-minded author. He offers us music as a whole, as an absolute. The arrangements, the melodies, these are the ends to which everything else is the means. Styles don’t matter, labels don’t matter. There are just songs. His new Mini-LP, “Filter”, released under the name of THE PERFECT KISS, the moniker he reserves for his most electronic compositions, makes this clear. Because just as he has played different styles of pop, the sixties sound and chamber music with his main project, THE YEARNING, with THE PERFECT KISS his musical language takes a major turn. Where “Disconnect”, THE PERFECT KISS’ debut Mini-LP, was a marvelous electro-pop treatise, “Filter” dives head first into italo disco, without letting go of the synth-pop. And again, it’s a triumph.