Holocaust

The Holocaust is one of the most documented, witnessed and written about events in history, yet one in six people worldwide either think the Holocaust has been exaggerated or deny that it took place. What has happened in the 75 years since the liberation of the camps to have so skewed the picture? And, if it matters, why does it matter? In this timely and important film, David Baddiel explores the multi-faceted nature of Holocaust denial - in both historical and contemporary terms, in an attempt to understand what motivates this dangerous phenomenon and why it is on the rise, both in Britain and across the globe.

Of Ukrainian origin, Boris Pigovat is now based in Israel where he has won several distinguished national awards. His Holocaust Requiem received the ACUM prize in 1995, and was premièred at a concert dedicated to the massacre of Jews at Babi Yar. Each movement is named after the Latin Mass text, the emotional symbols of sorrow, suffering and hope expressed purely instrumentally but led by the ‘human’ voice of the viola. The deliberately Russian Romantic style of Poem of Dawn was especially chosen by the composer for the work’s dedicatee, acclaimed violist Anna Serova.

The Holocaust and the Postmodern argues that postmodernism, especially understood in the light of the work of Emmanuel Levinas and Jacques Derrida, is a response to the Holocaust. This way of thinking offers new perspectives on Holocaust testimony, literature, historiography, and post-Holocaust philosophy. While postmodernism is often derided for being either playful and superficial or obscure and elitist, this book argues and demonstrates its commitment both to the past and to ethics.

The Holocaust and the Postmodern argues that postmodernism, especially understood in the light of the work of Emmanuel Levinas and Jacques Derrida, is a response to the Holocaust.

This iconoclastic study was one of the most widely debated books of 2000. Finkelstein indicts with both vigor and honesty those who exploit the tragedy of the Holocaust for their own personal political and financial gain. In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.