The reasons for Holst’s relative neglect, beyond The Planets and the Band Suites, aren’t hard to fathom. He wrote no large works in conventional forms, and never repeated himself. Even the Choral Symphony on poetry by Keats, here in its finest recorded performance to date (by Boult), owes very little to precedent–Mahler’s Eighth and Elgar’s The Black Knight, perhaps–and in any case features Holst’s personal combination of “spacey” orchestral color and rhythmic complexity (sample below). The music is both personal, technically virtuosic, and however beautiful somewhat cool emotionally. There is nothing else quite like it in the early 20th century.
William Steinberg’s famous readings of Strauss’ Also sprach Zarathustra and Holst’s The Planets newly remastered at 24-bit/192kHz. 1 Blu-ray Audio disc (new quadrophonic remastering) + 1 CD (new stereo remastering) in DigiPack format. These recordings remain mementos of Steinberg’s brief tenure as the Boston Symphony Orchestra’s Music Director (1969-1972) – cut all too short due to ailing health – and are of the first rank both musically and technically. Celebrating the 100th anniversary of the first performance of “The Planets”. Includes booklet notes (E, D) on Steinberg and the BSO and an essay on quadrophonic recording.
First ever Wiener Philharmoniker recording of “The Planets”, a favorite of Imogen Holst, plus a benchmark recording of Elgar’s Enigma Variations.
EMI Classics presents a magnificent collection that celebrates the life and career of English composer Gustav Holst. Containing an outside selection of Holst s greatest works including his most famous orchestral suite The Planets, the rare The Perfect Fool, as well as the Walt Whitman inspired Ode to Death. This 6-CD collector s edition provides a chance for all classical music aficionados to listen and experience his timeless compositions