Honey Dont List

If you lived outside America during the 1950s, when rock & roll exploded across the world, the opportunities to see your idols in the flesh were few and far between. Even at home, in North America, Elvis Presley, Little Richard, Buddy Holly and Jerry Lee Lewis could only be in one place at a time when performing live. So the obvious marriage was made, between rock & roll and the movies. And back then, all the songs you hear spread over this comprehensive 3CD collection could be heard – and seen! – at the cinema.

The 3CD set represents the complete archival live concert recordings by Elvis Presley in the 1950’s. All 82 tracks have been remastered and restored and the accompanying booklet chronologically follows Elvis from the very first, to the last shows performed.

Don't Look Away completes a trilogy of solo albums from experimental singer/songwriter Alexander Tucker which began with 2011's Dorwytch and continued with Third Mouth the following year. These albums marked a shift from the enigmatic artist's earlier style, which was far more abstract and freely flowing, to more traditional forms of songwriting. Since those two albums, Tucker has devoted much of his time to Grumbling Fur, a project with Daniel O'Sullivan which has explored Eno-esque avant-pop in addition to heady minimalism (as Grumbling Fur Time Machine Orchestra).

10-CD with 250 rockabilly tracks from the 1950s. All original recordings. Featured artists include Jack Cochran, The Jiants, Werly Fairburn, Hank Mizell, Alvis Wayne, Marvin Rainwater, Curtis Gordon, Johnny Carroll, The Recalls, Glen Barber, Sammy Masters, Vern Pullens, Andy Anderson, Hershel Almond, Jack Earls, Mac Curtis, Huelyn Duvall, Eddie Bond, Joe Clay, Vern Pullens, Ron Haydock and many others.

Five CD set. Throughout her career, Lulu has worked with some of the best in the business. In the space of ten exciting years, straddling the 60s and 70s, her recordings were produced by the stellar list of Mickie Most, Arif Mardin, Jerry Wexler, Tom Down, Giorgio Moroder, Wes Farrell and David Bowie, with arrangements by the likes of John Paul Jones, Johnny Harris and Peter Knight. The songs included early gems by the Bee Gees, Harry Nilsson, Neil Diamond, Randy Newman, Elton John and Bernie Taupin and classics from David Bowie, Bob Dylan, Lennon and McCartney and many more. The hits featured include "To Sir With love" (a U.S. number one), "The Boat I Row", "Love Loves To Love Love", "I'm A Tiger" (written by Ronnie Scott and Marty Wilde), "Boom Bang-A-Bang", "Oh Me Oh My (I'm A Fool For You Baby)", The Man With The Golden Gun" (John Barry's theme for the Bond film), "The Man Who Sold The World", "Watch That Man" and "Take Your Mother For A Ride"

Carl Perkins Né le 9 avril 1932 à Tiptonville dans le Tennessee, Carl Perkins se retrouve rapidement au contact du gospel et du blues, en travaillant dans les champs de coton douze heures par jour aux côtés d'Afro-américain. Il nourrit de ces influences ses premières compositions, qui parviennent à séduire Sam Phillips, le patron de Sun Records, chez qui il vit signer et cohabiter avec Elvis Presley. Passant avec aisance du rockabilly au rock'n'roll, dont il est l'un des pionniers, le chanteur, guitariste et compositeur américain Carl Perkins a enregistré avec « Blue Suede Shoes » (1956) un des standards du genre. Cette chanson a parfois fait de l'ombre à la carrière d'un artiste qui n'a jamais connu d'autres succès de cette ampleur, mais Carl Perkins reste un des pères fondateurs de la musique populaire américaine de la seconde moitié du XXème siècle à qui il a offert quelques jalons essentiels commme Dance Album (1956) ou Whole Lotta Shakin' (1958). Il meurt prématurément à l'âge de 65 ans des suites d'un cancer de la gorge, laissant le rock'n'roll orphelin de l'un de ses pères.

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In 1995, Gordon and Raphael were the first DJs in Germany who consistently mixed original disco vinyl with the latest house music and used this as a form of protest against the techno monotony existing at that time.Now, it is impossible to imagine the European club scene without them. No matterwhere they play, it’s always a full house. In 2004, they had their own series of parties at the El Divino club in Ibiza every Sunday.

This 70-track, three-CD set contains a lot of seldom and never-before-released Ducal selections, from the mid-'60s to the early '70s. The 1965 Tanglewood recordings with the famed conductor Arthur Fiedler feature some rousing, jazz-and-strings renditions of "Caravan" and "The Mooch," along with a long-lost recording of a Duke radio interview. For those who love Ellington's beautiful but underrated piano playing, there are some spicy tracks from a keyboard jam session with Earl "Fatha" Hines. Some behind-the-scenes sides from a Newport Jazz Festival party are included, and 26 tracks from a previously unreleased Reader's Digest recording with organist Wild Bill Davis are unveiled. Ellington's last major concert from the United Kingdom in 1973, one year before his death, reveals his high level of musicianship till the end. Of course, stars like alto and tenor Johnny Hodges and Paul Gonsalves solo sweetly, and Duke Ellington shows us, once again, why we loved him madly. –Eugene Holley Jr.