House Deragon

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.

This collection spotlights the great Delta bluesman Son House at three distinct points in his life. Included here are three of his 78s issued in the 1930s by Paramount Records, several of the Library of Congress field recordings done by Alan Lomax in 1941-1942, and a sampling of rediscovered 1960s concert pieces, including a riveting version of Blind Willie Johnson's "John the Revelator." All of this material is available elsewhere, but having examples of these different eras all on one disc makes this set a nice introduction to the full sweep of House's recorded legacy.

Crowded House's greatest hit, "Don't Dream It's Over," cemented them firmly into the collective American consciousness as a mere highlight of a John Hughes soundtrack or momentary inhabitants of the mid-'80s college rock ghetto. Though they rose to highest U.S. acclaim with that song and its follow-up, "Something So Strong," Crowded House charted consistently in their homeland of Australia and were widely popular outside of the States for the second half of their initial run. Songs like "Better Be Home Soon" and "Weather with You" charted massively in the U.K., Canada, and New Zealand, but never brought the group more than a cult following stateside. Including a variety of singles and highlights from albums Woodface, Temple of Low Men, and their self-titled debut, Essential provides a comprehensive overview of Crowded House's wistful songwriting style and bouncy pop productions, all of which predated the rise of alternative, but didn't quite fit any mainstream mold.