How Crying Becomes Language

Who does not love the 60s? The easygoing, cool songs, the clothes, the cars, the language and the strange sitcoms? The 1960s were a decade that drowned all conventions and allowed the young people to express themselves in ways that their parents could only dream of. In the course of this, some of the best and most original songs ever recorded were recorded. This compilation offers 100 of these songs, including Lulu, Aretha, Dionne. Let yourself be transported with these fantastic 5CDs into the time of mini-skirts and small cars. Listen, familiarize and download the publication on this website. Ultimate 60s Classics Box-Set material is designed and signed as a reference on your choice of several exchangers file.

Recorded by the Estonian National Symphony Orchestra and various soloists and ensembles in churches in Tallinn as well as the Estonian Concert Hall, the five compositions heard on Arboles lloran por lluvia (Trees cry for rain) give deeper insight into the unique sound-world of Estonian composer Helena Tulve, into music that is nourished by both contemporary and ancient currents. Tulve draws upon a wide-range of inspirational sources. She explores the raw fabric of sound and the nature of timbre in both analytical and instinctive ways, in compositions that are unmistakably her own, yet her work is inclusive - here incorporating aspects of Gregorian chant, melody from Yemenite Jewish tradition, and texts from Sufi, Sephardic and Christian mystic poetry. Reyah hadas 'ala (The Perfume of the Myrtle Rises) unites the ensemble of the Gregorian chant and the early music instruments. This is the only work in which Tulve has used a pre-existing melody, a song of the Yemenite Jews. Extinction des choses vues (The Extinction of the Things Seen) is an orchestral piece in which the musical ideas are derived from a text by the Jesuit thinker Michel de Certeau called Extase blanche (White Ecstasy).