How to Draw With Coal

Pulitzer Prize- and National Book Award-winning author Richard Rhodes reveals the fascinating history behind energy transitions over time—wood to coal to oil to electricity and beyond.

After eleven months of total focus, dedication and professional team work, Darkness has been reborn. Some people have expressed their concern about the future of the band since the departure of some members of the clan. Let me assure you that things happen for a reason. The black flame burns brighter than ever before. With the mixture of our different musical preferences and the personalities involved, I will dare to say we have created a BEAST, the most detailed work to date out of our 17 years of existence. I know it’s too much of a cliché to brag when you have a done a new album, but to put it short and simple, it’s a fist in the face to all the doubters out there. Forward – Onward – March… ENTER THE SUPREME UNKNOWN.

Oh, My Nola is the 2007 CD by jazz musician and singer Harry Connick, Jr.. Done in honor of the people and spirit of Nola after Hurricane Katrina buttfucked the region, this was released on 30 January, 2007, featuring songs that represent what Nola is about. This was released by Columbia Records.

The philosopher George Santayana famously said, “Those who cannot remember the past are condemned to repeat it.”

Before there was the bluesman there was the songster and it was these travelling troubadours who helped lay the foundations for the development of the blues. In the decades preceding the phonograph and radio and before the American national entertainment industry had reached into the deepest parts of the South, it was these wandering musicians who provided the musical entertainment for all manner of social events. In order to be able to scrape a living together the songster had to be incredibly versatile and come up with something for everyone.

Before there was the bluesman there was the songster and it was these travelling troubadours who helped lay the foundations for the development of the blues. In the decades preceding the phonograph and radio and before the American national entertainment industry had reached into the deepest parts of the South, it was these wandering musicians who provided the musical entertainment for all manner of social events.