At the very beginning, jazz was called "a combination of nervousness, lawlessness, primitive and wild animalism and debauchery." This definition was given by a more conservative generation who considered jazz a decadent phenomenon. However, despite such estimates, jazz came to its heyday in the 20s, and in the 30s and 40s determined not only the musical fashion, but also the lifestyle of that time in general. The 4CD compilation presented here is a great example of popular music from the 40s of the last century. The time when Glenn Miller and his orchestra, Benny Goodman, Duke Ellington, Artie Shaw, Woody Herman and other orchestras shone on the stage.
This is a compolation album which actually is a double album. One CD contains Doky's favorite vocal tracks (and a brand new one) and the other CD contains some of Doky's favorite instrumental moments. Chris says: It was so much fun to compile these tracks. I normally never listen to my albums after I have finished the master but compiling these tracks I actually listened to all of my albums again. Wow did that bring back memories!
Caro Emerald's album The Shocking Miss Emerald is the follow up to her smashing debut album Deleted Scenes From The Cutting Room Floor, which sold over 2 million albums worldwide, making Miss Emerald one of the Top 5 most successful female artists in Europe. This stellar new cd picks up where her debut left off, serving an album of edgy, vivid, romantic and intense songs, all tied together with a 40s Parisian haute couture bow. Caro Emerald is a modern woman with a timeless classic style, an approach to life she has translated into her music. She brings retro jazz-blues into the 21st century by blending arrangement with sampling, scratching and pop to create her signature sound. Caro believes 'you should be able to listen to a song and hear something different every time.'
“Great. Really good. What now?” enquires a delighted Bill Bruford at the end of a number What now indeed? The residency at the Jazz Café felt fresh and different yet paradoxically recognizable and familiar, suggesting that P1 were in many respects the missing link between 1974 and 1994. Despite Mr. Clueless of Camden interrupting Robert’s first KC-related stage announcement in over 13 years, nothing could take away from the fact that it had been an amazing week of momentous improvisations with the fourth and final evening being particularly strong. This gig represents both a completion and a new beginning as Bill takes his final bow on the KC stage.