Whilst Liszt’s piano music derived from music for plays is a much smaller body of work than his catalogue of operatic pieces, the approach in his methods of composition, elaboration and transcription remains broadly the same. As far as present Liszt scholarship permits one ever to be categorical, this recording contains all of Liszt’s works in this genre.
Following the release of its critically acclaimed debut album on Deutsche Grammophon (Australia) in 2018, the Brisbane-based Orava Quartet is set to release its second album on the famed label. Consisting of members Daniel Kowalik, David Dalseno (violins), Thomas Chawner (viola), and Karol Kowalik (cello), the second album is titled Orawa, and is a personal tribute to the group's late mentor Uzi Wiesel. The title of the new album is named after a work by Polish composer Wojciech Kilar (1932-2013), which appears on this album, and was introduced to brothers Daniel and Karol Kowalik by their father during their childhood, becoming such an intrinsic part of their formative years that it inspired the quartet's name.
Official Release #103. Performed/Arranged/Conducted by Frank Zappa. Road Tapes, Venue #3 features two complete shows from Tyrone Guthrie Theater in Minneapolis, MN. The July '70 Mothers line-up featured Flo & Eddie, George Duke, Ian Underwood, Aynsley Dunbar & Jeff Simmons. FZ's vast Vault does not contain many full shows from this time period, so that alone makes this release a special one. The tapes were recorded to stereo reel-to-reel, but not without problems. Due to their historical relevance, we felt it was worth it, warts 'n all! Venue #3 does not disappoint.
The recording mirrors the arc of energy in a passing day with two new commissions by Luke Howard and Goldfrapp’s Will Gregory and Nyman’s virtuosic Where the Bee Dances at its heart.
Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister, Joe Travers, The Mothers 1970 collects together more than four hours of previously unreleased performances by the heralded line-up which lasted roughly seven months: Aynsley Dunbar (drums), George Duke (piano/keys/trombone), Ian Underwood (organ/keys/guitar), Jeff Simmons (bass/vocals) and Flo & Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion) of The Turtles who performed under the aliases to skirt contractual limitations of performing under their own names. This iteration of The Mothers, which likely began rehearsals fifty years ago this month, came to an end in January of 1971 when Simmons quit the band during the making of the 200 Motels movie.