Huberman

Three works by Polish composers of great stature: the music of Karol Szymanowski is now very well known; he was responsible for the first real flowering of Polish music after Chopin, developing from the Romantic to expressionism to modernism. His Op. 9 violin sonata is his earliest chamber composition, written when he was 22 and found immediate success with audiences, if not all of the critics at the time. The Piano Trio of Andrzej Panufnik, who later became a British citizen, is also an early work and as his Op. 1 (he did not give opus numbers to any other composition) symbolises the beginning of his great career.

Ludwig van Beethoven - Violin Concerto, Kreutzer Sonata - Bronislaw Huberman (2017) {Warner Classics-Parlophone rec 1936}
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© 1936, 2017 Warner Classics / Parlophone | 0190295895167
Classical / Viennese School / Violin / Piano

HISTORICAL RECORDINGS · MONO · RECORDED IN *1930 & 1934 NEW REMASTERING FROM ORIGINAL MASTERS IN 24-BIT / 96KHZ BY STUDIO ART ET SON, PARIS. “You simply have to hear Huberman’s recording,” wrote Gramophone of this incandescent 1934 interpretation of Beethoven’s Violin Concerto. At the age of 14 Huberman, born in Poland in 1882, had dazzled Brahms with his playing. The prodigy went on to become both a towering violinist and a committed humanitarian activist, rescuing musicians from Nazi Germany to form the future Israel Philharmonic Orchestra. Completing this newly remastered Beethoven disc, Huberman is partnered in the Kreutzer Sonata by another legendary Polish-born musician, Ignaz Friedman.

Three works by Polish composers of great stature: the music of Karol Szymanowski is now very well known; he was responsible for the first real flowering of Polish music after Chopin, developing from the Romantic to expressionism to modernism. His Op. 9 violin sonata is his earliest chamber composition, written when he was 22 and found immediate success with audiences of not all of the critics at the time. Andrzej Panufnik, who later became a British citizen, is also an early work and as his Op. 1 (he did not give opus numbers to any other work) symbolizes the beginning of his great career. Elements of modernism, Romanticism and jazz inspire this superb work. It is heard here in the composers revised version from 1977. For Grazyna Bacewicz, chamber music played a very important role alongside concert works; she summed up the 200 years from Chopin to Rachmaninoff as a great virtuoso composer and performer on both violin and piano. The fourth piano sonata is generally considered her greatest described by one critic as contemporary Brahms.