Hubert Wolf

Few others besides avant-garde composer/instrumentalist Elliott Sharp could record a collection of blues songs and make them sound like a new genre altogether, a sort of blues/folk/jazz/new age sound with droning keyboards, slinky reverbed vocals, sinuous guitar parts, and angstful horns. The album is by turns haunting, sexy, volatile, and soothing

This is easily a "super super blues bust." Power trios, of course, were hip in the late '60s – even at down-home Chess Studios, where ad hoc "supergroups" were assembled for 1967's Super Blues and its sequel, Super Super Blues Band. (No one ever accused Chess Records of being subtle.) The band on Super Super Blues Band included two-thirds of the original Super Blues headliners – Muddy Waters and Bo Diddley – with Howlin' Wolf replacing Little Walter to round out the trio. Unlike Walter, who was willing to cede the spotlight to Diddley and Waters on Super Blues, Wolf adamantly refuses to back down from his rivals, resulting in a flood of contentious studio banter that turns out to be more entertaining than the otherwise unmemorable music from this stylistic train wreck.

His Best is a greatest hits compilation album by American blues musician Howlin' Wolf. The album was originally released on April 8, 1997 by MCA and Chess Records. The album was a part of the 50th anniversary of Chess Records, which was in that same year (see 1997 in music). Ten years later, on April 17, 2007, the album was re-released by Chess and Geffen Records as The Definitive Collection.

Howlin' Wolf's second album brings together some of the blues great's best singles from the late '50s and early '60s. Also available as a fine two-fer with his debut, Moanin' in the Moonlight, the so-called Rockin' Chair Album represents the cream of Wolf's Chicago blues work. Those tracks afforded classic status are many, including "Spoonful," "The Red Rooster," "Wang Dang Doodle," "Back Door Man," "Shake for Me," and "Who's Been Talking?" Also featuring the fine work of Chess house producer and bassist Willie Dixon and guitarist Hubert Sumlin, Rockin' Chair qualifies as one of pinnacles of early electric blues, and is an essential album for any quality blues collection.