The Ultimate Christmas Album, Vol. 6: WCBS FM 101.1 is another eclectic collection of pop holiday tunes from the '50s, '60s, '70s, and '80s, including Wham!'s "Last Christmas," the Beach Boys' "Santa Claus Is Coming to Town," and Andy Williams' "Let It Snow! Let It Snow! Let It Snow!." Aretha Franklin's "Winter Wonderland," America's "Hark! The Herald Angels Sing," and Connie Francis' "White Christmas" are some of the other highlights from this scattered compilation, which somehow mixes different sounds and eras into a festive celebration.
In a follow-up to her acclaimed album of Mahler songs, Christiane Karg takes us on a Christmas tour, in the select company of fellow music-makers. Revisiting holiday memories through the eyes of a child, but with the benefit of her superb artistry as a lieder specialist, the German soprano shines a light on some enchanting rarities of German and French repertoire, along with examples of Spanish, Basque, and Scandinavian traditions… A treasure trove of hidden gems!
Hänsel und Gretel is a fairy-tale opera (Märchenspiel) by Engelbert Humperdinck to a libretto by his sister Adelheid Wette. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on „Hänsel and Gretel.“ After several revisions, the musical sketches and the songs were turned into a full-scale opera. Hänsel und Gretel has been associated with Christmas since its earliest performances, and it is often performed at Christmas time. It is much admired for its folk music-inspired themes, one of the most famous being the prayer from act II. A family classic, it grew out of a set of incidental music and, written between 1890 and 1893, it was first performed on 23 December 1893 under Richard Strauss in Weimar.
For many people Christmas time has come when the broadcasting stations start playing the specific music everybody knows and hears each year. However, not always music performed around Christmas has originally been composed for Christmas too. Especially our earliest and therefore most emotional memories are closely related to this festivity. The music we associate with these emotions does not necessarily have to be Christmassy, but should intensify and reflect those feelings.
If there is such a thing as a classic Christmas opera, it is Hansel and Gretel. Like hardly anyone else, Humperdinck succeeded here in combining popular melodies with the technical sophistication of sophisticated compositional art. Even before the opera, he published a shorter version as a fairy tale game, which, like an essence of the opera, exposes its essential design principles.