A few years after an underappreciated solo album, former Lone Justice leader Maria McKee returns with You Gotta Sin to Get Saved, her best album yet. With Black Crowes and Jayhawks producer George Drakoulias at the helm, You Gotta Sin to Get Saved evokes the country-rock vibe of the early '70s (much like the aforementioned groups) without sounding like a studied replica. McKee sings a dynamic mix of originals and covers with genuine conviction, making You Gotta Sin to Get Saved an album that demands repeated plays.
By all rights, Kellie Pickler's third album 100 Proof should've been a blockbuster. A savvy update of classic country in the Tammy Wynette tradition, the 2012 record confirmed that Pickler could be a hell of a country singer, but the record stalled out on the charts, moving just a handful of copies – a significant decline from 2008's eponymous album, which almost went gold. BNA Records left her behind and she signed to the independent Black River Entertainment, working once again with 100 Proof producer Frank Liddell but also Luke Wooten, coming up with The Woman I Am, a record that's a bit bright and sweeter than its predecessor.
Bettye Crutcher was not the first female song writer at Stax – Carla Thomas and Deanie Parker, for example, beat her to that particular punch – but she may well be the most commercially successful of all the Memphis label’s female tunesmiths, if only for her participation in the composition of Johnnie Taylor’s ‘Who’s Making Love’, one of the company’s biggest hits. Bettye’s “Long As You Love Me” album is one of the best-kept secrets in the entire Stax catalogue.
A killer 2CD set – one that features 4 full albums from the country duo of Porter Wagoner and Dolly Parton! First up is We Found It – a gem of a record from the glory days of the Porter Wagoner/Dolly Parton partnership on record – a set that's overflowing with original material penned by each of the singers, which gives the whole thing a way of feeling a lot more personal and pointed than most other country duo albums! Porter and Dolly really share the vocal chores equally – and maybe break off less into the separate modes of some of their earlier records, but in a good way – on titles that include "Love City", "I've Been Married", "Satan's River", "I Am Always Waiting", "That's When Love Will Mean The Most", and "How Close They Must Be".
There’s something electric and urgent driving Dyson's latest album, Tender Heart. Something momentous, that has her plunging open-heartedly into the magical, terrifying, mundane, mysterious business of life.