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Dancer, actor, and singer Fred Astaire worked steadily in various entertainment media during nine decades of the 20th century. The most celebrated dancer in the history of film, with appearances in 31 movie musicals between 1933 and 1968 (and a special Academy Award in recognition of his accomplishments in them), Astaire also danced on-stage and on television (garnering two Emmy Awards in the process), and he even treated listening audiences to his accomplished tap dancing on records and on his own radio series. He appeared in another eight non-musical feature films and on numerous television programs, resulting in an Academy Award nomination and a third Emmy Award as an actor. His light tenor voice and smooth, conversational phrasing made him an ideal interpreter for the major songwriters of his era, and he introduced dozens of pop standards, many of them written expressly for him, by such composers as Harold Arlen, Irving Berlin, George Gershwin, Jerome Kern, Burton Lane, Frank Loesser, Johnny Mercer, Cole Porter, Arthur Schwartz, Harry Warren, and Vincent Youmans.

Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!).

A low-level criminal and a struggling newsman become unlikely partners in this comedy. Franklin Hatchett (Chris Tucker) is a fast-talking hustler who runs a small time ticket-scalping business. A TV news story by reporter James Russell (Charlie Sheen) brings Franklin's business to the attention of the police, and he finds himself under arrest. While being transported by police bus from one lock-up to another, Franklin is handcuffed to Raymond Villard (Gerard Ismael), a high-level jewel thief from Europe. Villard's henchmen stage a raid in which they explode the vehicle, killing most of the passengers (including two cops), but freeing their partner. Franklin is able to escape but learns that he's now wanted as a cop killer. Hoping to clear his name, Franklin approaches Russell with a deal – if he'll hide him from the police and help him prove that he had nothing to do with the deadly explosion, he'll give the reporter an exclusive story, which could help Russell boost his sagging career. Money Talks also features Heather Locklear as Russell's fiancée Grace, and Paul Sorvino as Grace's father, who is quite impressed by Franklin's story that he's related to Vic Damone.

This is a wonderful little Japanese sex film from the seventies. It's funny, erotic, sad and maybe even bordering on offensive to some. Much as I love it, I'm not sure if I'm doing the world a disservice by reviewing and raving about it, as I have absolutely no idea how anyone would get a hold of it! I can't find it anywhere on the web, having watched and taped it years ago, on our Australian multi-cultural channel. And that's the last I've heard of it. Still, maybe some attention will bring this little lost gem to light. However, if you do get frustrated by reading about something that you can't find, please turn away now, as the chances are high that you won't find this one. Those of you who are left, please read on! I love Japanese cinema, particular any "Pink" or erotic cinema I can get my hands on. I think this one may be from the famous Nikkatsu Production house that churned out so many classics in the seventies.

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