Nohno is the incarnation of Dean Dennis, known for his work with Clock DVA, T.A.G.C. and Sector.
Nohno - Metropolis (2006). Released in 2006 Metropolis is Nohno’s debut album, which marked the move away from Sector and marks the beginning of an adventure with Jose Snook. Nohno offered the opportunity to experiment and explore a range of musical approaches. Traces of Sector may still be found in tracks such as “Train Home” and “Octopus”: precursors for Kibuka. Places, people, atmospheres, sensations and the chaos of city life, in all its peculiar forms, were crystallized into visions and shadowy recollections: evolving into a series of narratives that weave pathways through the metropolis…
Digitally remastered and expanded edition. This album originates from 2015 and was only issued in an extremely limited and now a highly sought after CD. This CD reissue has three further bonus tracks. Life in Moments is classic melodic weirdness from the minds of FSOL.
Stuart Howard had the kind of alias, as well as a winking debut album title, Nostalchic, that could have had him mistaken for a lounge music revivalist indebted to Esquivel and Les Baxter. With Lustmore, the producer ratchets up the deception potential with kitschy artwork like that of '90s lounge revivalists Combustible Edison or Love Jones. There are no traces of lounge revival revivalism, however, within the grooves and atmospheres of Howard's second album for Flying Lotus' Brainfeeder label. Lustmore does make for slightly easier listening compared to Howard's previous output. Its melodies are relatively starry, and its contours are softer, crafted with the intent to make the listener feel as if she or he is lodged in a state between sleep and consciousness…
"Ceremonial" is the second full album from Anchorsong (AKA Tokyo-born, London-based electronic artist Masaaki Yoshida). The LP continues the progression of 2014’s "Mawa" EP, on which this ever-curious musician began to blend the minimalist, catchy melodic phrasing and unique beats of his acclaimed debut album "Chapters" (2011) with a newfound love for vintage African music. Influences from Orchestre Poly-Rythmo to Fela Kuti-style Afrobeat to High Life now hold sway, while he retains the crisp production sensibility and immersive arrangements that set him apart and have seen him supported by the likes of Huw Stephens, Gilles Peterson and Q Magazine…
The Future Sound of London’s long and varied history stretches back almost 25 years and as such a vast amount of unrealised material exists in the FSOL Archives. Archived 8 brings together another 12 such tracks; in some cases these are completed but unreleased songs from that time, in others the songs have been reconstructed or enhanced and then further mixed to form the journey. This album is not just a collection of random off-cuts. It is a fully realised album, worthy of sitting alongside the rest of the band’s critically acclaimed work.
CD "Life in Moments" contains alt. mixes of tracks previously only available as bonus downloads with FSOLDigital orders and six new recordings.
When originally assembled, Food was an avant-jazz quartet that experimented with sound. After five records with Feral and Rune Grammofon, they pared down to a duo of saxophonist Iain Ballamy and drummer/electronics wiz Thomas Strønen, signed to ECM, and enlisted guests to fill out their lineup. The one constant has been guitarist Christian Fennesz. Electronics are more central to the band's musical identity here, though jazz is still an important part of the mix. They craft something more akin to "songs," though improvisation remains. The basic recordings for This Is Not a Miracle were done in the summer of 2013. Strønen, Ballamy, and Fennesz cut a wealth of material live from the floor of engineer Ulf Holand's studio in Oslo. Strønen (with Ballamy's blessing) took the tapes and worked on them alone for five solid months, radically reshaping the music…