Igor Markevitch Rimsky

n these days of big boxes, DG really ought to gather together everything Markevitch did and issue it as a set. He was a genius, and his recordings with the Lamoureux Orchestra, especially, combine interpretive brilliance with a classic French instrumental style that no longer exists. They are irreplaceable, and the playing here is amazing. Rimsky-Korsakov’s music demands just the sort of diamond-like precision and clarity that was Markevitch’s stock in trade as a conductor. There are more raucous, more traditionally Russian versions of The Golden Cockerel Suite available (Järvi’s for example), but none that point up the music’s anticipations of Stravinsky so compellingly. Both here and in the May Night Overture, Rimsky-Korsakov becomes a prophetically modern master.

In 1936, the English composer and writer Constant Lambert described Igor Markevitch as ‘the leading figure of the Franco-Russian school’. As a composer he had been commissioned by Diaghilev and performed by the likes of Alfred Cortot and Roger Désormière, but his posthumous reputation largely rests on his prowess as a conductor, a profession he took up in the 1930s after study with Pierre Monteux.

A limited-edition 55-CD set of legendary and critically acclaimed recordings celebrating the famous PHILIPS heritage. An alliance of great artistry and superb sound. Classic-status albums spanning over half a century of recording and showcasing a wealth of international talent.
An unrivaled collection that that embraces all musical genres - from solo piano and chamber music through to large scale choral works and opera.

Great Conductors of the 20th Century is a joint venture between the production and licensing expertise of IMG Artists and the international marketing and distribution clout of EMI. Sixty volumes were planned with hopes for even more. Unfortunately, though, perhaps reflecting our leaner climate for classical projects, the producers now advise that only forty will be issued.

Gergiev's is a Rite of Spring with a difference. He stresses the primitive barbarism of Stravinsky's groundbreaking score–the strange wheezings of the winds, the wild yawps of the tubas, and the deep rumblings of the bass drum. It's a Rite that stands out at a time when so many internationalized western orchestras give the piece an overlay of sophisticated polish that can rob it of the shock factor that drove the audience at the Paris premiere to riot. There are also numerous personal touches that can be controversial, such as the pause before the final chord, which may bother some but which work in the context of the interpretation. Gergiev's Rite faces strong competition from recorded versions by Markevitch, Dorati, Monteux, and Stravinsky himself, but it's definitely among the top choices. The Scriabin's less compelling, though still fascinating. Gergiev's approach tends to sound sectional, as the overall line is subordinated to momentary thrills. –Dan Davis

The most prestigious classic collection.
This collection contains 100 numbered CD containing various works of classic authors of the 16th century to the 20th century. It offers an exclusive window on classical music, for addressing styles and eras.

From the introductory notes to Vol. ii by David Butchart: "This second volume of Music… The Universal Language (Musik - Sprache der Welt) presents another series of landmark sessions from Deutsche Grammophon's uniquely rich archive. As with Volume I, this set includes important recordings of conerstone composers such as Mussorgsky, Tchaikovsky, Dvorák and Grieg; however, it also takes in "modern" composers such as Stravinsky and Falla. And more modern still, from DG's remarkable initiative Musica Nova, a series which championed postwar German composers, come selections of works by Karl Amadeus Hartmann and Karl Höller. Both were closely associated with their respective conductors (Fricsay and Jochum). Franz Konwitschny and Otmar Suitner join the roster of conductors, while the Bamberg Symphony Orchestra and the Dresden Staatskapelle appear for the first time. Also, a significant number of CD premières is included."