In•ter At The Drive In

Blues Jam In Chicago: Volume 1 — 2004 remastered reissue of 1969 album featuring Otis Spann, Shakey Horton, Honeyboy Edwards, J.T. Brown, Guitar Buddy, S.P. Leary, & Willie Dixon, features 15 tracks including 3 bonus tracks, 'Red Hot Jam' (Take 1), 'Bobby's Rock', & 'Horton's Boogie Woogie' (Take 1). Blues Jam In Chicago: Volume 2 — 2004 remastered reissue of 1970 album featuring Otis Spann, J.T. Brown, Honeyboy Edwards, J.P. Leary & Willie Dixon, features 18 tracks including 7 bonus tracks, 'My Baby's Gone', 'Sugar Mama' (Take 1), 'Honey Boy Blues', 'I Need Your Love' (Take 1), 'Horton's Boogie Woogie' (Take 2), 'Have A Good Time', 'That's Wrong', & 'Rock Me Baby'. Both editions includes expanded booklets with detailed notes & photos.

Dizzy Gillespie - The Verve/Philips Dizzy Gillespie Small Group Sessions (1954-1964) {7CD Box Set Mosaic MCD7-234 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 1.20 Gb
Full Artwork @ 300 dpi (jpg) -> 117 Mb | 5% repair rar
© 1954-64, 2006 Verve / Philips / Mosaic Records | MCD7-234
Jazz / Bop / Afro-Cuban Jazz / Trumpet

These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.

The title is a bit of a ringer, since this isn't a collaborative effort in any way, shape, or form. Muddy & the Wolf contains a half-dozen live Muddy Waters tracks with backing from Mike Bloomfield, Paul Butterfield, and Otis Spann, the material culled from the Fathers & Sons sessions. The set also features tracks by Howlin' Wolf from his London sessions with Eric Clapton and Ringo Starr. File under "just OK."

The Armenian Apostolic Church has a wealth of spiritual chants known as sharakans. In the course of the centuries have grown in number. The collection of hymns in the Armenian Church is called Sharaknots (Hymnal). Our blessed holy fathers, founders of the literature of translation, along with translating the Old and New Testaments, introduced' Armenian Christian Hymnology and initiated Armenian national church music. The first sharakans were written as early as 5th century AD. Some of the most inspired and multiple talented sharakan writers, who were responsive for the composition of words and melodies combined, are St. Mesrop Mashtotz, St. Moses Khorenatzi, and Patriarchs Sahak and Partev…

Ohannes Tchekidjian was born in 1929. From 1951 to 1953, he was studying music at "Ecole Normale de Musique" in Paris. In 1961 he finished his post-graduate studies at the Istanbul Conservatory…

As a professional singer, Hasmik Baghdasaryan, the soloist of the vocal ensemble Luys, appreciates the way the members of the Armenian quintet work together. The musicians’ cooperation within the ensemble is very harmonious and cheerful but at the same time on a high professional level. When on tour, Luys presents two very exclusive pieces of music “Banin Hor“ and “Ibr Zard“: The first piece was specially written for Hasmik Baghdasaryan, while the other one has been composed by her good friend, the well-known Armenian composer and artist Vahan Artsruni. He gave Luys the exclusive right to sing this song, which is a great honor to the artists. Besides her work with Luys, Hasmik Baghdasaryan has recorded many albums with modern composers, as for example with the Greek composer Alkis Baltas; with Vahan Artsruni she has recorded music comprising the music era of more than 500 years; and she has transferred the music of Mesrop Mashtots into the modern music age….

After decades during which the unaccompanied violin sonatas and partitas of Bach stood alone, regarded by all but specialists as rather freakish musical occurrences, recent years have seen a growth of interest in the virtuoso violin repertory of the Baroque. Composers like Biber, Pisendel, and Tartini have all shown up with increasing frequency on concert programs and recordings.

This four-disc set celebrates Flemish vocal polyphony of the renaissance era. Recorded at various times in the 1970s and 1980s by the Schola Cantorum Stuttgart, this is a fascinating collection in a well presented box-set, with the liner-notes provided on CD ROM. Practical tip: if you are listening to the CDs through a computer, load the CD-ROM first so that you can access the sleeve notes while listening.