This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained – Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon layer. Lynne saw the limitations of this process, however, and opted for the presence of an orchestra – it was only 30 pieces, but the result was a much richer musical palette than the group had ever had to work with, and their most ambitious and successful record up to that time.
These aren't exactly Jim Croce's greatest hits, although most of them–"Operator", "Time In a Bottle", "Bad, Bad, Leroy Brown," and "I'll Have to Say I Love You In a Song" among others–are here. More specifically, 24 CARAT includes the complete YOU DON'T MESS AROUND WITH JIM album, plus the best cuts from LIFE AND TIMES and I GOT A NAME. Better yet, everything's been beautifully remastered in typical DCC fashion, which means that the lower frequencies seem more burnished than ever. The overall clarity is remarkable, and particularly works to the advantage of Croce's signature sound of two finger-picked acoustic guitars playing harmony lines.
Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…
Van Halen is the debut studio album by American heavy metal/hard rock band Van Halen, released in February 1978. Recorded in 1977, Van Halen sold over 10 million copies in the US alone, becoming one of the most successful debuts by a hard rock band. Along with 1984, it gives Van Halen two original albums with Diamond status in sales.
All right, he's made a record with his wife and a record with his pickup band where democracy is allegedly the conceit even if it never sounds that way, so he returns to a solo effort, making the most disjointed album he ever cut. There's a certain fascination to its fragmented nature, not just because it's decidedly on the softer side of things, but because his desire for homegrown eccentricity has been fused with his inclination for bombastic art rock à la Abbey Road…
Bob Seger recorded the bulk of Night Moves before Live Bullet brought him his first genuine success, so it shouldn't come as a surprise that it's similar in spirit to the introspective Beautiful Loser, even if it rocks harder and longer. Throughout much of the album, he's coming to grips with being on the other side of 30 and still rocking…
The Doors is the debut album by the American rock band The Doors, recorded in August 1966 and released in January 1967. It features the breakthrough single "Light My Fire", extended with a substantial instrumental section mostly omitted on the single release, and the lengthy song "The End" with its Oedipal spoken-word section.
A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. Allmusic
The 40th Anniversary Mix presents the first album in speed-corrected form for the first time. The speed discrepancy was brought to Bruce Botnick's attention by a Brigham Young University professor who stated that all the video and audio live performances of The Doors performing "Light My Fire", as well as the sheet music show the song being in a key almost a full half step higher than the LP release. Only the 45 RPM single of Light My Fire, issued in 1967, was produced at the correct speed. Wikipedia.