in The Street

Easily the greatest album ever by funky drummer Harvey Mason – and quite possibly the only one to live up to the rhythmic complexity that Mason brought to countless other fusion sessions for other groups in the 70s! The tracks are all spacious and snapping with brilliantly funky touches – a sound that resonates with Mason's contributions to Johnny Hammond's Gears album, but which comes off slightly differently here, thanks to a stronger focus on the drums. Keyboards are still a prime element of the set – played here by Herbie Hancock, Dave Grusin, and Jerry Peters – the latter 2 of whom helped out on arrangements for the record – and other players include an all-star lineup of 70s jazz funk legends such as Blue Mitchell, Bennie Maupin, Paul Jackson, Hubert Laws, and others.

Si vous vous posez la question de savoir si le jazz a une identité, à l’heure où l’on entend des musiques où tout est mélangé, matinées de rock, de pop et de world avec l’ultime argument que vous assènent leurs défenseurs « on s’en fout si c’est du jazz ou pas ! », Laurent Fickelson lui, offre un démenti clair, net sans bavure : oui la jazz à une identité et je vais vous le démontrer.

Formed by Tokyo acid jazz maven Gonzalez Suzuki, Soul Bossa Trio recorded several albums of refreshing, exploratory jazz with a debt to fusion and Brazilian jazz but a sparkling sense of interplay often lacking in their club-centered contemporaries. Suzuki was originally a member of Tokyo Panorama Mambo Boys, Japanese jazz-pop favorites during the '80s.