Inoixio Suite

Capella Mediterranea - Philippe d'Orléans- Suite d'Armide ou Jérusalem délivrée (2025) [Official Digital Download 24/176]

Capella Mediterranea - Philippe d'Orléans- Suite d'Armide ou Jérusalem délivrée (2025) [Official Digital Download 24/176]
FLAC (tracks) 24-bit/176 kHz | Front Cover | Time - 02:01:58 minutes | 3.70 GB
Classical | Studio Master, Official Digital Download

The sorceress Armide, infatuated with the valiant knight Roland, but desperate for Roland to return her love, tries at all costs to lure him into her arms.
Cappella Mediterranea, Leonardo García Alarcon - Philippe d'Orléans: Suite d'Armide ou Jerusalem délivree (2025)

Cappella Mediterranea, Leonardo García Alarcón, Marie Lys, Véronique Gens, Gwendoline Blondeel, Cyrille Dubois - Philippe d'Orléans: Suite d'Armide ou Jérusalem délivrée (2025)
FLAC (tracks), Lossless | 2:01:57 | 714 Mb
Genre: Classical

The sorceress Armide, infatuated with the valiant knight Roland, but desperate for Roland to return her love, tries at all costs to lure him into her arms. At the same time, the courageous Herminie tries to protect Tancrede, Roland's companion, from the dangers that threaten him. Published in 1704, Suite d'Armide ou Jerusalem delivree is as rare as it is unique: in the handwriting of the Regent Philippe d'Orleans, its composition testifies to a certain talent and a refined ear. Leonardo Garcia-Alarcon and Cappella Mediterranea brilliantly restore the little-known genius of the sovereign.

Taming Google Workspace (G Suite) - An Administrator Guide  eBooks & eLearning

Posted by Sigha at July 7, 2023
Taming Google Workspace (G Suite) - An Administrator Guide

Taming Google Workspace (G Suite) - An Administrator Guide
Last updated 6/2023
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English (US) | Size: 10.56 GB | Duration: 15h 51m

Google Workspace (G Suite) admin course - Easy to follow, step-by-step tutorials.

Complete Google Workspace (G Suite), Beginner - Advanced  eBooks & eLearning

Posted by ELK1nG at Jan. 28, 2022
Complete Google Workspace (G Suite), Beginner - Advanced

Complete Google Workspace (G Suite), Beginner - Advanced
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 5.71 GB | Duration: 16h 40m

Google Workspace (G Suite) Google Docs, Google Sheets, Google Slides, Google Calendar, Google Drive, Gmail, Google Forms

3D-Album Commercial Suite 3.30 (Eng/Rus)  Software

Posted by oriflame at May 31, 2010
3D-Album Commercial Suite 3.30 (Eng/Rus)

3D-Album Commercial Suite 3.30 (Eng/Rus)
Size 1.80GB | RS | HF


The new version of 3D-Album CS with a complete set of styles - is the best program for creating 3D album, virtual photo albums on the basis of numerous styles. Allows you to create stunning videos of your collections of photos, animated text and music.

Program Version: 3.30
The latest version: 3.30
Language: Eng + Rus
Treatment: complete
Type of medicine: the serial number
System Requirements: Windows XP, Vista, 7
Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024) [Official Digital Download 24/48]

Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 53:09 minutes | 501 MB
Classical | Label: Brilliant Classics, Official Digital Download

This recording features a work with a strange coincidence in its compositional process and an astonishing dual authorship. Remarkably, Silvius Leopold Weiss’s Lute Suite SW47 (which he named Suonata) also comes with a violin part that can be played over the top of it, composed by none other than Johann Sebastian Bach. A recent comparison of sources revealed that the harpsichord part in Bach’s Suite for Violin & Harpsichord BWV1025, long considered to be of doubtful attribution, perfectly matches Weiss’s suite.
Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)

Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)
WEB FLAC (tracks) - 228 Mb | MP3 CBR 320 kbps - 124 Mb | Digital booklet | 00:53:09
Classical | Label: Brilliant Classics

This recording features a work with a strange coincidence in its compositional process and an astonishing dual authorship. Remarkably, Silvius Leopold Weiss’s Lute Suite SW47 (which he named Suonata) also comes with a violin part that can be played over the top of it, composed by none other than Johann Sebastian Bach. A recent comparison of sources revealed that the harpsichord part in Bach’s Suite for Violin & Harpsichord BWV1025, long considered to be of doubtful attribution, perfectly matches Weiss’s suite. The violin part, meanwhile, was indeed composed entirely by Bach and is an additional melody independent of Weiss’s musical material. It feels almost like a ‘free improvisation’ above the suite and recalls a similar process carried out by Charles Gounod in 1859: his Ave Maria fits over the first Prelude from Bach’s Well-Tempered Clavier BWV846. The sole exception is the Fantasia movement in Bach’s piece, which is not derived from Weiss’s suite, meaning both the violin and harpsichord parts in it are unique to Bach.
Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024) [Official Digital Download 24/48]

Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 53:09 minutes | 501 MB
Classical | Label: Brilliant Classics, Official Digital Download

This recording features a work with a strange coincidence in its compositional process and an astonishing dual authorship. Remarkably, Silvius Leopold Weiss’s Lute Suite SW47 (which he named Suonata) also comes with a violin part that can be played over the top of it, composed by none other than Johann Sebastian Bach. A recent comparison of sources revealed that the harpsichord part in Bach’s Suite for Violin & Harpsichord BWV1025, long considered to be of doubtful attribution, perfectly matches Weiss’s suite.
Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)

Alberto La Rocca & Carlo Lazari - Weiss & J.S. Bach: Suite SW47 for Guitar and Violin (2024)
WEB FLAC (tracks) - 228 Mb | MP3 CBR 320 kbps - 124 Mb | Digital booklet | 00:53:09
Classical | Label: Brilliant Classics

This recording features a work with a strange coincidence in its compositional process and an astonishing dual authorship. Remarkably, Silvius Leopold Weiss’s Lute Suite SW47 (which he named Suonata) also comes with a violin part that can be played over the top of it, composed by none other than Johann Sebastian Bach. A recent comparison of sources revealed that the harpsichord part in Bach’s Suite for Violin & Harpsichord BWV1025, long considered to be of doubtful attribution, perfectly matches Weiss’s suite. The violin part, meanwhile, was indeed composed entirely by Bach and is an additional melody independent of Weiss’s musical material. It feels almost like a ‘free improvisation’ above the suite and recalls a similar process carried out by Charles Gounod in 1859: his Ave Maria fits over the first Prelude from Bach’s Well-Tempered Clavier BWV846. The sole exception is the Fantasia movement in Bach’s piece, which is not derived from Weiss’s suite, meaning both the violin and harpsichord parts in it are unique to Bach.
Cappella Mediterranea, Leonardo García Alarcon - Philippe d'Orléans: Suite d'Armide ou Jerusalem délivree (2025)

Cappella Mediterranea, Leonardo García Alarcón, Marie Lys, Véronique Gens, Gwendoline Blondeel, Cyrille Dubois - Philippe d'Orléans: Suite d'Armide ou Jérusalem délivrée (2025)
FLAC (tracks), Lossless | 2:01:57 | 714 Mb
Genre: Classical

The sorceress Armide, infatuated with the valiant knight Roland, but desperate for Roland to return her love, tries at all costs to lure him into her arms. At the same time, the courageous Herminie tries to protect Tancrede, Roland's companion, from the dangers that threaten him. Published in 1704, Suite d'Armide ou Jerusalem delivree is as rare as it is unique: in the handwriting of the Regent Philippe d'Orleans, its composition testifies to a certain talent and a refined ear. Leonardo Garcia-Alarcon and Cappella Mediterranea brilliantly restore the little-known genius of the sovereign.