The Folkswingers, a studio-only group comprised of a changeable cast of top Los Angeles session musicians, had issued a couple of instrumental LPs showcasing the 12-string guitar before leaping on the raga-rock bandwagon with Raga Rock in 1966. Give the World Pacific label a little credit, though: at least they jumped on that bandwagon real fast, almost right after the term "raga-rock" was first used. Plus, the record did employ the cream of the cream from the L.A. rock session world, with Hal Blaine on drums; Larry Knechtel on keyboards; Tommy Tedesco, Howard Roberts, and Herb Ellis on guitar; and Lyle Ritz and Bill Pittman on bass. And it did at least have an actual sitar, courtesy of Harihar Rao, leader of Los Angeles' Ravi Shankar Music Circle and director of the Indian Studies Group at UCLA's Institute of Ethnomusicology…
In April 2019, 22a boss and multi-instrumentalist, Tenderlonious embarked on a trip to Pakistan to work with Lahore based instrumental quartet, Jaubi. Following on from the highly acclaimed, three track limited edition 10” vinyl release of ‘Tender in Lahore’ earlier this year, 22a presents the full suite of improvised ragas from a one day recording session in Lahore, Pakistan. The pure sounds of Indian and Pakistani classical music act as a framework for deep and spiritual improvisations between Tenderlonious on flute & soprano saxophone and Jaubi band members, Kashif Ali Dhani on tabla and vocals, Zohaib Hassan Khan on sarangi and Ali Riaz Baqar on guitar. This cross cultural collaboration also features Polish composer and keys player Marek Pędziwiatr on synth drone.
"This heady blend of instrumental pop covers, fuzzed-up guitars and sitar is a kitsch blast from start to finish. Featuring the cream of LA's session players alongside sitar virtuoso Harihar Rao (Ravi Shankar's senior disciple), it was originally released in 1966 and makes its long-overdue CD debut here, showing itself to be the first and best ‘sitarsploitation’ album ever recorded."
This is a live recording of a concert given by Ravi Shankar in 1993 and released to commemorate his 75th birthday a year and a half later. He is accompanied on tabla by virtuoso Zakir Hussain and on sarod by his own student (and virtuoso in his own right), Partha Sarathy. He begins the evening with his own interpretation of a rare raga, that of jait. He chose the version played here after researching a few possible forms of the raga that have appeared over the centuries (families, essentially, of ragas). After exploring the grounds of jait thoroughly, he moves on to kirwani, a raga adapted by Shankar from the Carnatic system. He draws out a mood of romanticism, eroticism, and happiness mainly, his preferred method of dealing with some of the madhur ragas.
Although Sitar and Sarangi are prominent Indian Classical instruments, they encountered very rarely in Jugalbandi/duet setup. So, this concert album is a rare and great treat for those who have an enthusiastic ears for Indian Classical music. Ustad Rais Khan & Ustad Sultan Khan are not only very esteemed musicians but are noted for an outstanding capability for Jugalbandi performances. In this Live in London concert accompanied by much soughtafter tabla player Pandit Anindo Chatterjee, It captured their great and detailed skills of musicianship which took them to new heights in their fields. The volume 1 is completely devoted to Raga Yaman Kalyan, an evening raga and performed in detailed Alap, Slow and Fast Teentaals. The second volume consists of Ragamala (A Garland Of Various Ragas) based around Raga Khamaj and the concert ends with bewitching Medium Tempo Teentaal in Raga Bhairavi. IMO, An outstanding and a rare Jugalbandi. Highly Recommended.