Invisible Touch

Genesis keyboardist Tony Banks has made several stabs at a solo career since 1978, writing and recording in various styles and occasionally under different group names. However, none of his attempts have been very commercially successful, a sore point for the man many deem responsible for a large portion of the Genesis sound…

Genesis - No Son Of Mine
EAC+LOG+CUE | FLAC: 116 MB | Full Artwork: 17 MB | 5% Recovery Info
Label/Cat#: Virgin # GENSD 6 | Country/Year: UK & EU 1991
Genre: Rock, Pop | Style: Pop Rock

"No Son of Mine" is the first single by the British rock group Genesis from their 1991 album We Can't Dance, which reached No. 6 in the UK and No. 12 in the U.S., and was a top ten hit in most of continental Europe.

…The DVD is an equally colossal affair, incorporating over eight hours of concert footage on two discs (a two-hour concert recorded from four separate camera angles). The multi-camera presentation is amazing, providing a unique front-row perspective of all the stage action. The star of the concert is undoubtedly Phil Collins who leaps around, and batters his drum kit like a hormonal teenager…

This two disc 40 track compilation features some of the biggest Rock hits recorded by some of the most famous artists of all time, many of them taken from the esteemed EMI catalog.
Queen, Pink Floyd, Phil Collins, Van Morrison, Peter Gabriel, Foreigner, The Pretenders, Genesis, Mike Oldfield and many more.

The first Genesis Archive made sense. It covered the Peter Gabriel years, an era that was not only supremely creative for the band, but filled with rarities, forgotten tracks, outtakes, B-sides, BBC sessions, and live performances begging for a collection. It was a box set for fans and it filled its purpose splendidly. Its sequel, Genesis Archive 2: 1976-1992, attempts to fill the role for the Genesis Mach II, otherwise known as the Phil Collins years, but the problem is, the Collins era was completely different from Gabriel's…

Genesis - We Can't Dance (1991)
Progressive Rock | EAC rip (FLAC+CUE NO LOG) | scan covers 300 dpi | 01:11:36 | 486,1 mb

After spending the 1980s moving in an increasingly pop-friendly direction, 1991's We Can't Dance marked a return to earlier aesthetics for Genesis. Edgier with more prominent guitars and live drums than on Invisible Touch; the record was the band's strongest musical statement in over a decade. With "Driving the Last Spike" and the dark "Dreaming While You Sleep" the group revisited one of their forgotten strengths; telling extended stories. That's not to say the album is a return to The Lamb Lies Down on Broadway or Trick of the Tail. Indeed, while there are several extended pieces on the record, there is none of the eccentricities, odd meters, or extended virtuoso solos of the band's progressive heyday. The album's closer, "Fading Lights," comes the closest, featuring an outstanding instrumental mid-section. Unfortunately, the record also contains some gutless ballads and peons for world understanding that sound miles away from any immediacy. However, the surprisingly gritty singles "No Son of Mine," "Jesus He Knows Me," and "I Can't Dance" help make up for the album's weaker moments