Invisible

November 21 and 22, 1975. It was Isabelita's time in government, a few months after the last military coup. But they were also times of Spinetta-Machi-Pomo in power… Invisible presented "Peach bleeding" for two days, at the Teatro Coliseo. And now, that gem is officially available.

Invisible are from Argentina and they released 3 albums in the seventies before calling it quits. Their second album named Durazno Sangrando from 1975 is to many the peak, the story is based on the book of Carl Jung and has very solid lyrics besides music made by the head of the band Luis Alberto Spinetta. It has some great instrumental sections like the opening track Encadenado al ánima who is the longest from here. Not very much to add, while is pleasent most of the time, on some particular passages is little going on even has some subltle jazz symphonic arrangements in overall sound.

Invisible Allies is a collaboration between well known West Coast downtempo aficionado Bluetech and Philadelphia electronic mastermind KiloWatts. Both established with numerous releases and projects spanning various genres, the Invisible Allies collaboration is a meeting between two distinct and imaginative minds, each with acute musical sensibilities and signature aesthetics. Exploring futuristic spacefunk, textural ambient, odd time signatures, complex harmonic developments, detailed digitalia and a sublime sense of the exotic, the first Invisible Allies EP, 'Hyperdimensional Animals', gives a first look into what promises to be an exciting and evolving conversation between two singular and eccentric producers.

Invisible are from Argentina and they released 3 albums in the seventies before calling it quits. Luis Spinetta was the leader and an incredible talent. He played lead guitar and sang on the first two albums, but on this the final record they brought in this virtuoso to play lead guitar while Luis sang while still adding some guitar.
With respect to the players they are all excellent with the guitarist being a true virtuoso. Tomas Gubitsch uses clean tones on his guitar and emphasizes an almost jazzy approach to his playing, which can get very fast, especially on the instrumental piece. The eight tracks on the album range in length from 3'24" to 7'08" and more or less consist of extremely interesting and thoughtfully arranged songs with "proggy" interludes scattered throughout. All in all, this is yet another fantastic and creative album from the Argentinian progressive scene.

Crocodiles age well.So it comes as no surprise that the band, named after the primeval reptile with the killer instinct, is, once again, back in the game. Over 50 years after forming the group in Zurich, and 45 years after their break-up, Düde Dürst, drummer, band leader, graphic designer and archivist of the first Swiss “supergroup”, decided to take another stab at it. In the midst of working on a rerelease of Krokodil’s psychedelic masterpiece «An Invisible World Revealed» (1971) he couldn’t help himself but get inspired. His latest vision? Recording an album that unites Krokodil’s pioneering creative spirit with the zeitgeist of the 2020s. Together with the two founding members Walty Anselmo (guitar, sitar, vocals) and Terry Stevens (bass, vocals) as well as two younger and gifted musician friends, Adi Weyermann (guitar, vocals) and Erich Strebel (keys) Düde embarked on his latest, bold undertaking.

Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks…