The 1970s were lost years for Irma Thomas in some respects. She was wholly out of the commercial mainstream and, sometimes, without a recording contract. Nor had she yet carved out her well-deserved niche as a torchbearer of the New Orleans vocal soul tradition. Instead, she was only able to grab some recording time and record releases here and there, usually on small labels. While this 19-song CD, A Woman's Viewpoint: The Essential 1970s Recordings, is probably about as good a compilation as can be assembled from this period, there's no getting around the realization that this is far from her best work on record.
Sessions is Union Square Music’s 2CD urban and dance music range. Aimed at both the hardened dance music fan and the impulse purchaser, each Sessions title is packed full of hit singles, big club tracks and a choice selection of forgotten gems and underground classics picked out by our expert crate-digging compilers. Strong generic packaging including an outer slipcase, informative sleeve notes and a low price in the shops have made Sessions one of our most popular labels.
Walter Wolfman Washington is a soulful musician of rare talent, as well as a deep thinker and hip philosopher, and his hometown is New Orleans. Walter has cut his teeth for the last 50 years playing everywhere from European festivals to bars that Google Maps will never find. New Orleans is notorious for its wildness, parades, and celebrations. New Orleans is Mardi Gras, but it’s also the uptown class of Allen Toussaint and hip style and language of Dr. John. Walter has always embodied both, but finally we have a set of songs that reflects the yin to Walter’s bring-the-party yang. This is the record that we all have known he has in him. This is the night after that party, or maybe just the after party. He’s been given free rein to express himself, and that’s special.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.