Iso to Dsd

Public Image Ltd (also known as PiL) are an English post-punk band formed by singer John Lydon. Lydon emerged after the break-up of the Sex Pistols with PiL's Public Image: First Issue (1978). The new band had a more experimental sound than the Pistols: a "droning, slow-tempo, bass-heavy noise rock, overlaid by Lydon's distinctive, vituperative rant". Their early work is often regarded as some of the most challenging and innovative music of the post-punk era. Their 1979 album Metal Box was ranked number 469 on Rolling Stone magazine's 2003 list of the 500 greatest albums of all time. The NME described PiL as "arguably the first post-rock group".

Rainbow (also known as Ritchie Blackmore's Rainbow or Blackmore's Rainbow) are a British rock band led by guitarist Ritchie Blackmore, active from 1975 until 1984, 1993 until 1997, and 2015 until present. They were originally established with Ronnie James Dio's American rock band Elf, but after their first album, Blackmore fired the backing members and continued with Dio until 1979. The band's early work primarily featured mystical lyrics with a neoclassical metal style, then went in a more pop-rock oriented direction following Dio's departure from the group.

Amsterdam-based Aros is an international sextet co-led by Canadian saxophonist Rob Armus and Austrian classical pianist Marion von Tilzer. Their collective influences and experience notably include American jazz and improvised music, European classical and new music and tango. Imagine, for example, Astor Piazzolla and Philip Glass combining forces to create modal jazz with an occasional nod to free improv. There’s quite a range of moods and styles on this 2004 album, from heartfelt lyrical intimacy to driving soul jazz vamps. Recorded and mixed entirely in DSD, this vibrant recording is Aros’s first North American release.

Husband and wife pianists Wayne Horvitz and Robin Holcomb takes turns at the keyboard on this 2004 release, the couple's first recording sharing equal billing. They are together and yet alone, as the title promises, each plays solo piano. The instrument is a Steinway D; the programme they have sequenced includes original compositions, free improvisations and three covers, including Wayne Shorter’s beautiful Armageddon. The live-to-DSD recording in a small concert hall creates an intimate, palpable atmosphere.

Dave Wilczewski was an American saxophonist living in Stockholm. Working with many groups on the road as well as in the recording studio, Dave was one of the most outstanding and coveted jazzsoloists in Sweden. He played with a melodic unique and personal style, which assembled many elements from different jazz and fusion areas. He has played on over 200 albums and in 2006, released his own album, "Room In The Clouds". This album is a mature and relaxed offering from a musician who is equally gifted as a player and writer. This distinctive recording will resonate with fans of the contemporary music scene and undoubtedly stand the test of time.

Hiromi Uehara (上原ひろみ), known as Hiromi, is a jazz composer and pianist born in Hamamatsu, Japan. She is known for her virtuosic technique, energetic live performances and blend of musical genres such as post-bop, progressive rock, classical and fusion in her compositions.

Of the two Vivaldi Gloria stored in the first volume of the Sacred Works of the collection of the Jordan National Library of Turin , in D major, this is undoubtedly the most significant and must be registered with the Creed, the Magnificat and the Stabat Mater in the group of the best compositions.

From the moment Arthur Fiedler lifted his baton in 1964 to lead the Boston Pops in a wild, surprisingly effective arrangement of "I Want To Hold Your Hand," symphony orchestras have tried to include Beatles music in their "pops" song bags. The trouble is, the Beatles' brilliant original recordings are so indelibly embedded in our collective mental hard drives that they are a tough act to follow – despite the high quality of the songs on their own merits, despite the good intentions of those who pay them homage. So it is with Erich Kunzel, the Cincinnati Pops and the British early music/classical/pop vocal sextet The King's Singers – an undoubtedly sincere labor that gets it all wrong. From this album, a visitor from Saturn would get the idea that the Beatles' music was all about pretty tunes and satin-smooth harmonies.

This is a conceptual album which is based on the Danish author H.C. Andersen´s dramaturgy of the story of "The Little Mermaid", and where the genre is soft jazz with colors Latin rhythms! Most delightfully, the entire album was a audience-less live recording in the Jarna Kulturhus’ Concert Hall with no post-recording dubbing. The result is a dynamically well-balanced work of art infused with high transparency and complex tonality. Though closely miked and hence cast effectively to the front and over the instrumentalists, Yamina’s voice never eclipses her band mates.