The third CD in this five-volume series draws its material from the same live sessions that resulted in the first two Terry Gibbs Dream Band releases, but contains all previously unheard performances. Ranging from well-known standards ("Avalon," "I'm Getting Sentimental Over You" and "Flying Home") to more recent tunes ("Airegin" and Gibbs' "It Might As Well Be Swing") and originals by arrangers Bill Holman, Bob Brookmeyer and Al Cohn, the music stays consistently colorful and swinging. Gibbs had some of the top L.A.-based players in his big band, which lasted from 1959-62, and among the key soloists on this set are trumpeter Conte Candoli, Bill Holman, Bill Perkins and Med Flory on tenor, and altoists Joe Maini and Charles Kennedy.
The postwar recording sessions included in this budget-priced boxed set are the last ones Django Reinhardt made with violinist Stephane Grappelli. The remaining original members of his acclaimed Quintette du Hot Club de France had departed already, and on the first three of these four discs the guitarist and violinist are accompanied by a trio of Italian musicians: pianist Gianni Safred, bassist Carlo Pecori, and drummer Aurelio de Carolis. (The recordings on the fourth disc, which date from 1950, are credited to the Quintette du Hot Club de France, but by that point Grappelli had been replaced by alto saxophonist and clarinetist Andre Ekyan and the remaining three musicians comprised a standard piano trio – an instrumental configuration far removed from that of the original quintet.)
Sarah Vaughan was one of the illustrious coterie of female vocalists who spanned the genres of jazz, big band music and sophisticated pop during the post-war era to provide some of the finest music of their times, not only interpreting the Great American Songbook and putting their own individual stamp on it, but continuing to perform top class new material through the musical upheavals of subsequent decades.
A really unique set of work by Miles Davis – and one that focuses on a really neglected chapter of his career! As you'd guess from the title, the CD brings together an assortment of recordings that Miles made backing up jazz singers – mostly in the early years of his career, at a time when he was still working as a sideman in a variety of settings. The first 4 tracks on the set are from a 1945 date with saxophonist Herbie Fields, on tracks backing singer Rubberlegs Williams – including "That's The Stuff You Gotta Watch", "Pointless Mama Blues", and "Deep Sea Blues".
The four-CD retrospective The Legendary Decca Recordings represented both an attempt to present the essence of Ella Fitzgerald's two-decade tenure at Decca Records and to defend that period against the conventional wisdom that not until she moved to Verve Records in the mid-'50s was her talent given full rein. Divided into four sections, the collection began with "The Very Best of Ella," not exactly a greatest-hits set, though it started with her first big hit, "A-Tisket, A-Tasket," and included such chart successes as "Undecided," "Cow-Cow Boogie," and "Stone Cold Dead in the Market."