j Geils Live

Five CD box set containing a quintet of original albums from this Blues/Rock/Pop outfit: "Live" Full House, Bloodshot, Ladies Invited, The J. Geils Band and The Morning After.

The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.

The J. Geils Band made many fine, sometimes great, studio albums but where they really captured their full, thrilling potential was on the concert stage. Most live albums tend to be a poor excuse for actually being at the show in question, but the Geils Band's live albums jump out of the speakers with so much joy, fun, and unquenchable rock & roll spirit that you might as well be there. "Live" Full House was their first live record, and it is a blast from start to finish. Recorded in 1972 at Detroit's Cinderella Ballroom, the group runs through songs from their first two albums, The J. Geils Band and The Morning After, kicking out the jams on rockers like the Motown chestnut "First I Look at the Purse," Otis Rush's "Homework," and one of the group's first self-penned classics, "Hard Drivin' Man," as well as positively scorching through an incredible version of John Lee Hooker's dark and evil blues "Serves You Right to Suffer"…

The J. Geils Band's sixth studio album, 1975's Hotline, didn't spawn any hits, didn't reach very high on the charts, and was very true to the band's formula (going back to a mix of originals and covers after two all-original albums). It is also one of their most cohesive, satisfying, and fun albums. Kicking off with one of their live favorites, a barn-burning cover of Harvey Scales & the Seven Sounds' obscure soul nugget "Love-Itis," the disc runs through hard-edged blues, funky soul, rip-roaring rock & roll, and a ballad or two. The bandmembers show no signs of letting down and sound as dedicated to their house-party ethic as ever. Along with "Love-Itis," at least half of the record would have sounded excellent blasting from AOR stations. Why none of them, like the driving "Easy Way Out," the peppy "Jealous Love," and the cold as ice "Mean Love," never got much airplay is a mystery…

On July 3rd, 1973, David Bowie retired Ziggy Stardust, his most famous alter-ego, in front of 5000 stunned fans at London’s Hammersmith Odeon. Now, the fully restored film and soundtrack will be released for the first time for the 50th anniversary of the show. Renowned filmmaker D.A. Pennebaker (Monterey Pop, Bob Dylan - Don’t Look Back, Depeche Mode - 101) captured the momentous event by filming Bowie and The Spiders From Mars backstage and onstage. The digital 4K restoration of the new version of the film has been overseen by his son, Frazer Pennebaker with remastered audio.