j Robbins

Sunrise On Slaughter Beach is Clutch’s thirteenth studio album – a slamming summary of everything that makes the band great and another giant leap forward into career longevity. New bangers like “Red Alert (Boss Metal Zone),” “Nosferatu Madre,” “Skeletons on Mars,” “Jackhammer Our Names,” and “Mercy Brown” take their rightful place alongside Clutch classics. Sunrise On Slaughter Beach is the natural culmination of what Clutch began as teenagers in the early ‘90s. Recorded at the The Magpie Cage Recording Studio, Baltimore, MD, the album was produced and mixed by Grammy nominated Tom Dalgety (Ghost, Royal Blood, Pixies) with additional engineering by J Robbins (Jawbreaker, Against Me!, The Sword).

“His performance brought a veritable roar of approval from the audience,” wrote the Irish Times, after Pavel Nersessian received the 1st Prize in the GPA Dublin International Piano Competition in 1991. Being one of the most remarkable pianists of his generation in Russia, he is known for his ability to play equally convincingly in the whole palette of the piano repertoire. He won prizes in the Beethoven Competition in Vienna in 1985, the Paloma O’Shea Competition in Santander, and the Tokyo Competition.

Legendary Austin rockers returning with Low Country, the alternate version of their critically acclaimed album High Country!

The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.

A Limited Edition, Original Jackets collection showcasing the artistry of the magnificent American soprano, Kathleen Battle. Kathleen Battle enraptured opera audiences of the 1980s and 1990s. Here was a lyric soprano combining unsurpassable beauty of tone with a keen musical intelligence, a way with words and a communicative warmth that drew listeners to Strauss and spirituals alike. She has the easy phrasing of a great jazz singer combined with the breath, breadth and precise projection of a trained voice. James Levine coached her at the Metropolitan Opera, and when he accompanied her at the 1984 Salzburg Festival and DG recorded the recital as Battle's debut solo album, nothing less than a phenomenon was launched.

A Limited Edition, Original Jackets collection showcasing the artistry of the magnificent American soprano, Kathleen Battle. Kathleen Battle enraptured opera audiences of the 1980s and 1990s. Here was a lyric soprano combining unsurpassable beauty of tone with a keen musical intelligence, a way with words and a communicative warmth that drew listeners to Strauss and spirituals alike. She has the easy phrasing of a great jazz singer combined with the breath, breadth and precise projection of a trained voice. James Levine coached her at the Metropolitan Opera, and when he accompanied her at the 1984 Salzburg Festival and DG recorded the recital as Battle's debut solo album, nothing less than a phenomenon was launched.

Claude Thornhill & His Orchestra - The 1948 Transcription Performances (1994) {Hep Records HEP CD 17, mono}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 151 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1948, 1994 Hep Records | HEP CD 17
Jazz / Bebop / Big Band / Sweet Bands

This CD has the only existing performances of the Claude Thornhill Orchestra from 1948, a year when a recording strike kept most bands off of records. With many charts by Gil Evans or Gerry Mulligan, the Thornhill big band was often quite bop-oriented and featured fine solos from clarinetist Danny Polo, altoist Lee Konitz and the tenor of Mickey Folus; a few numbers also include Brew Moore on tenor, baritonist Gerry Mulligan and trumpeter Gene Roland. In addition there are some vocals from the Snowflakes (a vocal quintet) and Joe Derise. The highly enjoyable and somewhat historical CD is easily recommended to bop collectors and listeners who are interested in the later Claude Thornhill Orchestra.

JATP concerts from the 1940s were documented in 1998 on a 10-CD Verve boxed set. But until now, the 1950s concerts have been passed over for a retrospective. In fact, since the CD era began very little of the material from that span has been available at all.