j. b. Metzler

Anhand der leitenden Fragestellung Welche kognitiven Voraussetzungen und Prozesse machen die menschliche Sprachfähigkeit aus? bietet der Band eine umfassende Einführung in die Psycholinguistik. Er präsentiert die folgenden Teilgebiete: Sprachliches Wissen, Spracherwerb, Sprechen, Sprachverstehen sowie Störung und Krankheit des Sprachsystems. Eine umfangreiche Bibliographie und ein Sachregister schließen den Band ab. - Die dritte Auflage wurde vollständig neu bearbeitet sowie aktualisiert und berücksichtigt insbesondere neuere neurowissenschaftliche Erkenntnisse. Im zweifarbigen Layout.

Prussia as a nation-state, as a cultural state, as a military power: beyond these one-dimensional ideas, Ottmar Ette's new book unfolds the picture of a multi-perspective Prussia. From Anton Wilhelm Amo, the first black philosopher to matriculate at a Prussian university, to Frederick the Great's projection of the Prussian polity onto New Spain and the reign of Moctezuma, to the Dutch philosopher Cornelius de Pauw, who published his works in French in Berlin and fueled the worldwide Berlin debate about the New World: Buried traditions of a history that have been expatriated from the common image of Prussia come to life. Ottmar Ette tells of mobile Prussians whose relationships arrange themselves into Prussia as a mobile.

Featuring the mighty Prelude and Fugue in E minor – a work that disregarded all the trends of the time and displays Bach’s total individuality – and the unique Organ Concerto in D minor, this fourth volume of organ works from Robert Quinney demonstrates how the ritornello structure was central to Bach’s mature style. A selection of chorale-based pieces are also explored including the remarkable twelve-movement Partita on ‘Sei gegrusset, Jesu gutig’.

Featuring the mighty Prelude and Fugue in E minor – a work that disregarded all the trends of the time and displays Bach’s total individuality – and the unique Organ Concerto in D minor, this fourth volume of organ works from Robert Quinney demonstrates how the ritornello structure was central to Bach’s mature style. A selection of chorale-based pieces are also explored including the remarkable twelve-movement Partita on ‘Sei gegrusset, Jesu gutig’.