Named after the rough and ready bars where labourers gathered to drink and dance, barrelhouse was a raucous form of piano blues that got the juke joints swinging. From early pioneers such as Cow Cow Davenport and Speckled Red to the boogie-woogie legends Pete Johnson and Albert Ammons, this collection charts the rise and incredible influence of this good-time blues.
Cissy street blasted into the French jazz-funk scene with their first eponymous album in 2017; brandishing a repertoire of entirely original compositions that they’ve been performing in festivals ever since. Their music explores “the heart of a heady groove that mixes explosive funk, jubilant solos and ear-catching melodies (…) this is scorching hot music that we’d recommend to all ages, all types of crowds in any season.”
While he's best known as guitarist Brownie McGhee's longtime partner, harmonica ace and vocalist Sonny Terry made many excellent recordings as a solo act, and also recorded with Blind Boy Fuller and others. The 17 songs on this anthology include Terry playing with McGhee's brother Sticks, Pete Seeger, and others, as well as several featuring Terry's biting harmonica and wry leads relating stories of failure, triumph, and resiliency, backed by McGhee's flickering but always audible guitar. The title is a bit misleading, since the earliest date for any session is 1946 (one number), and most are done between 1955 and 1959.
Limited to 5000 copies. Paper sleeve. SAY IT LOUD - I'M BLACK AND I'M PROUD was James Brown's initial album release for 1969, as KING 5-1047 in stereo within a gatefold jacket. It was preceded by A SOULFUL CHRISTMAS and followed by GETTIN' DOWN TO IT, his great jazzy album backed by The Dee Felice Trio. It was also released simultaneously in England, France, Germany and Spain. In 1990 it was available for the first time on CD from Japan, and later had a US release in 1996. That's the version I would recommend, I'm not sure that the Japanese imports have the track info and liner notes in English.