The Jazz Age is the second album by the British alternative rock band Jack, released in August 1998. It was recorded in Wales and London in late 1997 and early 1998, and was produced by Darren Allison, who had previously worked with The Divine Comedy and Spiritualized. It was the band's second - and last - album for the Too Pure label, and the last to feature original members Richard Adderley, Patrick Pulzer, Colin Williams and George Wright. Despite excellent reviews and extensive touring in support of the album, sales were disappointing. This led in part to the band being dropped by their record label in 1999.
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough ‘Knee-Deep in the North Sea’, and 2010 John Leckie produced ‘Isla’, to the self titled record ‘Portico Quartet’ in 2012. Now rebooted as Portico Quartet after a brief spell as the three-piece Portico, the group are set to release their fourth studio album Art In The Age Of Automation this August on Manchester’s forward thinking indy jazz and electronica label Gondwana Records. It’s an eagerly anticipated return, with the band teasing both a return to their mesmeric signature sound and fresh new sonic departures in their new music.
After a busy recording career in the 1960s, organist Jack McDuff was erratically documented in commercial settings in the 1970s and was in danger of being forgotten when he launched his successful comeback with The Re-Entry in 1988. At the age of 61, McDuff proved to still be in his prime as he jammed on three originals, two obscurities, and "Laura" with both Houston Person and Ron Bridgewater on tenors, trumpeter Cecil Bridgewater, guitarist John Hart, and drummer Grady Tate. The music on this Muse album falls between hard bop and soul-jazz and should satisfy fans of those styles.
Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society".
Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Features 24 bit remastering and comes with a mini-description. A sweet Atlantic soul groover from Brother Jack McDuff – and a set that has him tightening up his Hammond sound from his earlier years at Prestige Records! The tunes here are short and punched-up – almost instrumental soul numbers in their construction, but still filled with plenty of jazz – thanks to Jack's mad solos on organ, and some killer drums from Joe Dukes and Bernard Purdie! Other players include George Coleman on tenor, Cornell Dupree on guitar, and Buddy Lucas on baritone sax – and arrangements are by JJ Jackson and Jack himself.
Features 24 bit remastering and comes with a mini-description. One of the more open-ended sessions that Brother Jack cut for Atlantic – with less of the tight larger soul arrangements that the label usually saddled him with. (Not that we mind those, though!) David Newman plays a variety of saxes, and the group also includes a young Melvin Sparks on guitar. Tracks are longish, and the album includes the originals "Duffin 'Round", "Esperanto", and "More Head" – as well as stunning versions of "Sunny" and "But It's Alright"!