Jack Rush

As far as tribute albums go, this homage to seminal Canadian rockers Rush is hard to beat. For one thing, Magna Carta has made an inspired decision to have each song recorded by an all-star lineup rather than letting one band handle all the chores (with one exception - Fates Warning get sole credit for "Closer to the Heart"). Often projects of this magnitude are doomed to failure from the start as a result of inadequate rehearsing, a shoestring budget, and sometimes a lack of talent capable of handling the songs with the respect they deserve. Working Man is a rare instance of everything going right. Terry Brown has done an incredible mixing job considering nearly all of the songs were recorded in different studios. The musicianship rivals the original versions - occasionally besting them, particularly where the vocals are concerned…

It's unfortunate that Tom Rush's third album has such a strong reputation among rock listeners – not that it doesn't deserve it, but it sort of distracts them from this album, which was as natural a fit for rock listeners as any folk album of its era. Rush's debut album is filled with a hard, bluesy brand of folk music that's hard on the acoustic guitar strings and not much easier on his voice; he sings stuff like "Long John" and "If Your Man Gets Busted" with a deep, throaty baritone that's only a little less raw than John Hammond's was while doing his work of the same era. Rush had the misfortune to be equated with Bob Dylan, but he had a more easygoing and accessible personality that comes out on numbers here such as Woody Guthrie's "Do-Re-Mi" and Kokomo Arnold's "Milkcow Blues," which are thoroughly enjoyable and quietly (but totally) beguiling. Additionally, he isn't such a purist that he felt above covering a Leiber & Stoller number such as "When She Wants Good Lovin'."