Jackie Mclean Dr. Jackle

Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 126 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (png) -> 294 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1955, 2013 Prestige / Concord / Universal Japan | UCCO-5234
Jazz / Bop / Cool / Hard Bop / Trumpet / Vibes

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.

Jackie McLean - Tune Up (1966) {SteepleChase SCCD36023 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 347 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1966, 1993 SteepleChase Productions ApS | SCCD 36023
Jazz / Hard Bop / Post Bop / Saxophone

From the same "live in Baltimore" session that resulted in Dr. Jackle, altoist Jackie McLean and his regular quartet of the period (comprised of pianist Lamont Johnson, bassist Scotty Holt, and drummer Billy Higgins) explore lengthy versions of three standards ("Tune-Up," "I Remember You," and a passionate "Smile") along with McLean's original "Jack's Tune." As well as the altoist plays, it is the solos of the underrated and underrecorded pianist, LaMont Johnson, that make this explorative hard bop release most notable.

Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet…

The album was very well received, winning the 2010 Grammy Award for Best Jazz Instrumental Album!
Chick Corea and John McLaughlin share one of the great pedigrees in the music of the 20th century: they were both key sidemen on Miles Davis' seminal albums In a Silent Way and Bitches Brew. They have played together since those heady days, as a duo or as sit-in guests. Five Peace Band was Corea's idea of putting together a dream band to play all kinds of jazz, and he approached McLaughlin. Corea chose the other members in saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride…

Chick Corea & John McLaughlin - Five Peace Band Live (2009) [2CD] {Concord}
EAC rip (secure mode) | FLAC+CUE+LOG -> 810 Mb | MP3 @320 -> 332 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% recovery rar
© 2009 Concord Music / Chick Corea / John McLaughlin | CRE-31397-02
Jazz / Jazz Rock / Post Bop / World Fusion

Chick Corea and John McLaughlin share one of the great pedigrees in the music of the 20th century: they were both key sidemen on Miles Davis' seminal albums In a Silent Way and Bitches Brew. They have played together since those heady days, as a duo or as sit-in guests. Five Peace Band was Corea's idea of putting together a dream band to play all kinds of jazz, and he approached McLaughlin. Corea chose the other members in saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride.

Miles Davis - Milestones (1958) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1203}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 310 Mb | MP3 @320 -> 115 Mb | Full Artwork
© 1958, 2006 Sony Music Japan / Columbia | SICP 1203 | DSD | HQD High Quality Disc
Jazz / Cool / Bop / Hard Bop / Modal Music / Trumpet

What is immedately noticeable upon listening to Miles Davis' classic first – and only – album with his original sextet is how deep the blues presence is on it. Though it's true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackle," recorded in 1955 for a Prestige session with Jackie McLean.

Shortly before joining Miles Davis' group, guitarist John Scofield recorded this passionate trio set with electric bassist Steve Swallow and drummer Adam Nussbaum. Much of Scofield's playing here is quite rock-ish although he does show off his jazz chops on Jackie McLean's "Dr. Jackle." The frequently intense music has plenty of fiery moments.