From the same "live in Baltimore" session that resulted in Dr. Jackle, altoist Jackie McLean and his regular quartet of the period (comprised of pianist Lamont Johnson, bassist Scotty Holt, and drummer Billy Higgins) explore lengthy versions of three standards ("Tune-Up," "I Remember You," and a passionate "Smile") along with McLean's original "Jack's Tune." As well as the altoist plays, it is the solos of the underrated and underrecorded pianist, LaMont Johnson, that make this explorative hard bop release most notable.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
What is immedately noticeable upon listening to Miles Davis' classic first – and only – album with his original sextet is how deep the blues presence is on it. Though it's true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackle," recorded in 1955 for a Prestige session with Jackie McLean.
The album was very well received, winning the 2010 Grammy Award for Best Jazz Instrumental Album!
Chick Corea and John McLaughlin share one of the great pedigrees in the music of the 20th century: they were both key sidemen on Miles Davis' seminal albums In a Silent Way and Bitches Brew. They have played together since those heady days, as a duo or as sit-in guests. Five Peace Band was Corea's idea of putting together a dream band to play all kinds of jazz, and he approached McLaughlin. Corea chose the other members in saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride…
What is immedately noticeable upon listening to Miles Davis' classic first – and only – album with his original sextet is how deep the blues presence is on it. Though it's true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackle," recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro.
A really landmark album in European jazz - one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early 60s - a fresh, modern group who could still play with plenty of soul - avoiding some of the cool jazz traps of other European combos, and really hitting hard with solo work that matched the best American work of the time. The sound here is really incredible - tunes that bristle with electricity from the very first note, played with a cohesiveness that makes the record far more than just a happy accident in the studio! Titles include the originals "Coltrane Style" and "Monotonia", plus versions of Jackie McLean's "Dr Jackle", Junior Mance's "Jubilation", and Benny Golson's "Are You Real".