There are so many James Brown compilations out there that it can be tough to pick which one is the most suitable for a particular listener's budget or pleasure. This set from Polydor in the U.K. is – for a single disc – quite solid if bare in places. Containing 20 tracks and presented for a very attractive price point, it contains all major hits – albeit edited single versions of some of them like "Get Up (I Feel Like Being A) Sex Machine." Of course, there is plenty missing, but it would be easy to come up with what is – tracks like "Mother Popcorn," "Hot Pants," and "Ain't It Funky Now" are all very conspicuously absent. But it's difficult to argue with what is here, even of the later 1970s material. There is no single compilation of James Brown's music that can really be considered complete, but this one, containing all original recording sources and stellar material, stands with the best of them despite lacking some cuts.
James Brown's two-CD 40th Anniversary Collection gathered 40 of the soul-funk giant's biggest hits, and in keeping with its title, The 50th Anniversary Collection is just that little bit bigger and better, with (could you guess?) 50 of his most famous tracks. From 1956's "Please, Please, Please" to 1988's "Static, Pts. 1 & 2," it has almost all of his biggies, though the absence of the 1986 Top Five hit "Living in America" is puzzling indeed. But that's a minor quibble given the dozens of classics onboard, which taken as a whole not only represent the best Brown compilation on the market, but also make a plain case for the singer as one of the major talents of 20th century American music. It's not wholly redundant on the off-chance that you're willing to replace 40th Anniversary Collection, mopping up a few hits of note ("Bewildered," "Bring It Up," "Let Yourself Go," "I Can't Stand Myself [When You Touch Me], Pt. 1," "It's a New Day, Pt. 1," "The Popcorn") that didn't make the cut the previous time around. If you're keeping score, it does lose a couple minor goodies from 40th Anniversary Collection ("Money Won't Change You," "King Heroin"). Also, the '70s funk years might be given too much emphasis and his R&B-soul beginnings shortchanged, though there are plenty of other reissues of his '50s/'60s material out there if you want to investigate further.
James Brown was arguably the most important and innovative R&B artist of the '60s and '70s, a singer, songwriter, and bandleader who rewrote the book on how the music would sound as he redefined soul, laid the groundwork for funk, anticipated the grooves that would drive hip-hop, and even influenced new movements in rock and jazz. This box set collects five albums from James Brown's extensive back catalog, dominated by recordings of Brown's fabled live shows. Live at the Apollo is a classic 1962 concert set from New York's Apollo Theater that documents Brown's dynamic stage show at a time when he was widely regarded as the most exciting performer on Earth. Sex Machine, released in 1970, is another live set that captures Brown's powerhouse stage band the J.B.'s (including Bootsy Collins, Maceo Parker, and Fred Wesley) tearing through a breathtaking set of extended funk workouts. And Revolution of the Mind is a 1971 release that preserved another show at the Apollo, playing a set that covered his '60s soul hits as well as his more recent funk groovers. Along with the three live discs, this set includes two compilations of Brown's classic funk performances, 70's Funk Classics and In the Jungle Groove.
James Brown compilation album covering his recorded output for Scotti-Brothers Records between periods1986-1995.
With some 800 songs in his repertoire, James Brown influenced countless contemporary artists from virtually every popular music genre –rock, funk, soul, jazz, R&B, hip hop and rap. His polyrhythmic funk vamps reshaped dance music, and Brown was by far the most sampled artist during the early days of hip hop. Though he would be dogged by legal troubles and controversy in later life, he was a principled artist, adamantly refusing to conform to anyone’s vision. This 3-D set presents five of his best albums, along with 8 bonus tracks from the same period.
A lotta funk power, a lotta soul power-and some gems you won't find on other collections. Joining I Got You; Papa's Got a Brand New Bag; Get on the Good Foot; Cold Sweat; Soul Power; Prisoner of Love, and It's a Man's Man's Man's World are his early ballad Try Me; his often overlooked 1968 hit America Is My Home and more.