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James Horner

James Horner - Living In The Age Of Airplanes (2018)  Music

Posted by aasana at Jan. 10, 2019
James Horner - Living In The Age Of Airplanes (2018)

James Horner - Living In The Age Of Airplanes (2018)
EAC Rip | FLAC (tracks+.cue+.log) & artwork | 49:55 min | 440 MB
Soundtrack | Label: Terwilliger Productions

Intrada is proud to announce the premiere CD release of James Horner's score for the 2015 documentary Living in the Age of Airplanes. Horner was passionate about flying and loved to score the subject of aviation. Having previously scored the documentaries First in Flight and The Fourth Horseman, not to mention films with flying as a central theme such as The Rocketeer, Horner gravitated to the subject and poured his heart into it. One can hear Horner's very soul soaring through his music. Through a beautiful melding of wordless vocals, electronics and orchestra, Horner takes the listener on a musical journey, around the world, through time, and into the air above the clouds.
James Horner - Der Name Der Rose (Soundtrack) (1986) {Teldec West Germany}

James Horner - Der Name Der Rose (Soundtrack) (1986) {Teldec West Germany}
EAC Rip | FLAC with CUE and LOG | scans | 205 mb
MP3 CBR 320 kbps | RAR | 96 mb
Genre: soundtrack

James Horner did the soundtrack to the 1986 film Der Name Der Rose (The Name Of The Rose). This was released by Teldec in West Germany.
VA - Heart Of The Ocean: The Film Music Of James Horner (1998) {2012 BSX}

VA - Heart Of The Ocean: The Film Music Of James Horner (1998) {2012 BSX}
WEB Rip | FLAC (no log) | scans | 317 mb
MP3 CBR 320 kbps | RAR | 152 mb
Genre: soundtrack

Heart Of The Ocean: The Film Music Of James Horner is a 1998 compilation of some of the works James Hormer has composed for films over the years. This is the 2012 reissue released by BSX.
James Horner - Patriot Games: Music From The Motion Picture (1992) 2CD Expanded Limited Edition Reissue 2013

James Horner - Patriot Games: Music From The Motion Picture (1992)
2CD Expanded Limited Edition Reissue 2013

XLD | FLAC (Image) + cue.+log ~ 466 Mb | Mp3, CBR320 kbps ~ 205 Mb | Scans ~ 70 Mb
Soundtrack, Score | Label: La-La Land Records | # LLLCD 1259 | Time: 01:29:17

La-La Land Records and Paramount Pictures proudly present the remastered and expanded presentation of acclaimed composer James Horner's (STAR TREK II: THE WRATH OF KHAN, ALIENS, GLORY, TITANIC) original motion picture score to the 1992 feature film dramatic thriller PATRIOT GAMES, starring Harrison Ford, James Earl Jones, Anne Archer and Sean Bean, and directed by Phillip Noyce. Horner's intense, Irish-tinged score expertly supports and builds this political thriller's complex characterizations, brooding intrigue and white-knuckle suspense. Produced by Dan Goldwasser and mastered by Mike Matessino, Horner's PATRIOT GAMES score is finally given the deluxe treatment it deserves in this 2-CD set, which contains more than 50 minutes of previously unreleased music. Exclusive liner notes by writer Jim Lochner take you behind-the-scenes of the film and its score.
James Horner - House of Sand and Fog: Original Motion Picture Soundtrack (2003) [Re-Up]

James Horner - House of Sand and Fog: Original Motion Picture Soundtrack (2003)
EAC | FLAC (Tracks) + cue.+log ~ 302 Mb | Mp3, CBR320 kbps ~ 163 Mb | Scans included
Soundtrack, Score, Modern Classical | Label: Varèse Sarabande | # VSD-6532 | 01:09:46

One of James Horner's most hushed works, House of Sand and Fog is an aptly brooding, implosive musical counterpart to Vadim Perleman's adaptation of Andre Dubus III's heartbreaking, and bestselling, novel. Horner captures the aspirations of the Behranis, a family of Irani immigrants, in the score's opening tracks. Pieces such as "An Older Life" and "Waves of the Caspian Sea" are quietly hopeful, string-driven compositions that feel like they're going to blossom into the kind of lush, sentimental pieces for which Horner is renowned – but they never do. Likewise, "'This Is No Longer Your House'" and "Kathy's Night" reflect the seeping frustration of Kathy Nicolo, an alcoholic young woman forced to give up her family's house, which the Behranis buy soon after. The musical themes of Nicolo and the Behranis come together, in a subdued manner on "Parallel Lives, Parallel Loves" and more urgently on "The Shooting, a Payment for Our Sins." But even the score's most dramatic moments are understated, providing more of a backdrop for the film's events than a commentary on them.
James Horner - Star Trek II: The Wrath Of Khan - Original Motion Picture Soundtrack (1982) Newly Expanded Edition 2009

James Horner - Star Trek II: The Wrath Of Khan - Original Motion Picture Soundtrack (1982/2009)
EAC | FLAC (Image) + cue.+log ~ 406 Mb | Mp3, CBR320 kbps ~ 202 Mb | Scans included
Soundtrack, Score | Label: Film Score Monthly/Retrograde | # FSM 80128-2 | 01:15:28

Taking the musical reins from the legendary Jerry Goldsmith, James Horner boarded the Starship Enterprise to deliver what would prove to be his breakthrough score. A surprisingly dark, emotional effort some distance removed from Goldsmith's utopian fanfare, Star Trek II: The Wrath of Khan was instrumental in steering the franchise into more complex territory. Horner's lucid melodies and sweeping orchestral arrangements possess a sense of genuine danger and malice long absent from Star Trek's musical backdrop, climaxing in the profoundly emotional catharsis of "Spock." His efforts lend Trek creator Gene Roddenberry's vision a newfound gravitas.
James Horner - The Boy in the Striped Pyjamas (Pajamas) (Original Soundtrack) (2008)

James Horner - The Boy in the Striped Pyjamas (Pajamas) (Original Soundtrack) (2008
WEB FLAC (tracks, log, cover) | 00:52:24 | 220.85 MB
Score | Intrada

James Horner's gift, among many gifts, was his ability to find and focus on the most intimate and subtle emotions, bringing them to the forefront with his music. It mattered not whether he was scoring an epic like Titanic or an intimate drama like The Man Without a Face. The 2008 film The Boy in the Striped Pajamas was of the latter type, a film where the interior life of the characters was the driving force of the drama. Horner purposely avoids drawing attention to the music by limiting his palette to the somber sounds of piano, strings, oboes, French horns, low-lying trumpet and occasional ambient sounds. No other percussion — but the piano is always in the spotlight. Harmonic color is important, with relatively little dissonance. As the composer described it, the score undergoes a transformation over the course of the film, having very little forward momentum to "suddenly becoming panic." Horner, along with recording engineer Simon Rhodes, mixed and assembled a generous 52-minute album at the time of the film’s release, though it was never issued in physical form until this premiere Intrada CD. Recorded at the Eastwood Scoring Stage at Warner Bros. Studios in Burbank, California, this album covers almost all the score and features several lengthy tracks comprising multiple cues, as was customary for the composer.
James Horner & VA - Apollo 13: Music From The Motion Picture (1995) [Re-Up]

James Horner & VA - Apollo 13: Music From The Motion Picture (1995)
EAC | WV (Image) + cue.+log ~ 381 Mb | Mp3, CBR320 kbps ~ 209 Mb | Scans included
Soundtrack, Score, Rock | Label: MCA Soundtracks | # MCD 11241 | 01:12:12

The soundtrack to director Ron Howard's 1995 blockbuster Apollo 13 effectively blends dialogue, actual audio clips from newscasts, classic songs, and portions of conductor James Horner's original score, creating a worthy aural companion. Included are songs from the period of the titular spacecraft's peril-fraught mission, such as the Young Rascals' "Groovin'," Jefferson Airplane's "Somebody to Love," the Who's "I Can See for Miles," and a classy version of the oft-covered "Blue Moon" by the Mavericks (produced by Nick Lowe). The orchestrated score manages to capture the drama of the events in a manner that ranges from quietly stirring to sweepingly epic, with Eurythmic Annie Lennox adding her distinctive, ethereal vocal accompaniment to several of the cuts.
James Horner - Star Trek III: The Search For Spock: Original Motion Picture Soundtrack (1984) 2CDs, Newly Expanded Edition 2010

James Horner - Star Trek III: The Search For Spock (1984) 2CDs
Newly Expanded Edition, Original Motion Picture Soundtrack, Remastered 2010

EAC | FLAC (Image) + cue.+log ~ 622 Mb | Mp3, CBR320 kbps ~ 289 Mb | Scans included
Soundtrack, Score | Label: FSM/Retrograde | # FSM-80129-2 | 01:56:39

When FSM released the long-awaited expanded edition of James Horner’s Star Trek II: The Wrath of Khan (1982) in 2009, it didn’t take a Vulcan scientist to assume that the score’s companion piece, Star Trek III: The Search for Spock (1984), might also see the light of day. FSM delivers—thanks to the good graces of Paramount Pictures and Capitol Records. James Horner’s Star Trek III continues his superlative work for the Final Frontier, with emotional developments of the B-theme (the “Enterprise theme”) and Spock’s theme from the earlier film, as well as exotic atmospheres for the all-important Vulcan mysticism that drives the story. The film’s villains, the Klingons, receive a new theme with exciting barbaric instrumentation. From the grand “space opera” setpieces (“Stealing the Enterprise,” “Bird of Prey Decloaks”) to intimate, spiritual moments (“The Mind-Meld,” “Returning to Vulcan”), Horner’s Star Trek III is one of the finest scores in the Star Trek canon.
Mari & Hakon Samuelsen - James Horner: Pas de Deux (2015) [Official Digital Download 24-bit/96kHz]

Mari & Håkon Samuelsen - James Horner: Pas de Deux (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 59:14 minutes | 1,1 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Pas de Deux" is the first classical work from Academy Award-winning composer James Horner (Titanic, Avatar). The Concerto for Violin and Cello was commissioned and performed by the brother and sister duo of Mari (violin) and Hakon (cello) Samuelsen with the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko. The album is completed with works by Pärt, Sollima and Einaudi that pair with Horner’s post-minimalist soundscape.