James Laura

On An Evening with John Patitucci & Andy James, two gifted performers join forces to conjure an intimate evening of captivating music. At a time when jazz aficionados around the world have been starved for musical experiences, the album recreates the sultry atmosphere of a candlelight nightclub as some of the most revered musicians in modern jazz perform classic standards.

Laura Veirs releases her eleventh solo album My Echo via Bella Union. The album features guest appearances from Jim James, Bill Frisell, Karl Blau, Matt Ward and others.

Laura Veirs releases her eleventh solo album My Echo via Bella Union. The album features guest appearances from Jim James, Bill Frisell, Karl Blau, Matt Ward and others.

David Gates got all the attention, but James Griffin stood proudly as his cohort during the early days of Bread. Once Bread crumbled, Gates also had hits but Griffin didn’t, despite developing a strong body of work that finally gets anthologized via Hux’s 2013 compilation, Just Like Yesterday: The Solo Anthology 1974-77. During these four years, Griffin released just two albums—1974’s Breakin’ Up Is Easy and 1977’s eponymous LP—and both records are here, along with the bonus tracks of “Just Like Yesterday” and “She Knows,” the latter coming from a May 1974 performance on the Old Grey Whistle Test. Compared to Gates, Griffin isn’t quite as buttery: his voice is fine-grain sandpaper and he is sometimes happy enough to skirt the boundaries of soft rock, particularly on his 1974 debut.

An air of inquiry suffuses Laura Marling's third album, a mood of experimentation as cerebral as it is playful. Opening song The Muse is like nothing she has released before: swaggering and brassy, with her voice pulling angular shapes across saloon-jazz piano and tight brush drums. Salinas and Rest in the Bed are like miniature western movies, with spit and sawdust in the guitar and banjo lines, melodrama in the backing vocals and Marling squinting at a relentless sun as her characters glare fate in the face. As on last year's I Speak Because I Can, Marling can sound curiously dispassionate, slurring the chorus of Don't Ask Me Why, maintaining a studied cool at the start of Sophia as she murmurs: "Where I have been lately is no concern of yours." But when Sophia unfurls into a glowing country romp, the distance between her and us suddenly shrinks – and the feeling is exhilarating.

Following the success of his solo release of the Complete Late Piano Music of Scriabin, James Kreiling returns to Odradek with cellist Liubov Ulybysheva in RISE, a recording of Russian music for cello and piano that represents revolutionary Russian voices whose music rose from the ruins of conflict to create powerful testimonies of hope and peace.