James Mason

Cary Grant is the screen's supreme man-on-the-run in his fourth and final teaming with Master of Suspense Alfred Hitchcock. He plays a Manhattan adman plunged into a realm of spy (James Mason) and counterspy (Eva Marie Saint) and variously abducted, framed for murder, chased, and in a signature set-piece, crop-dusted. He also hangs for dear life from the facial features of Mount Rushmore's Presidents. Savor one of Hollywood's most enjoyable thrillers ever in this state-of-the-art restoration: it's renewed picture vitality will leave you just as breathless as the chase itself.

A brilliant and pretty obscure look at the flip side of swinging sixties London. Narrated by a rather sardonic and sometimes scathing James Mason, we are taken on a tour of the underbelly of London. The film is artfully edited and offers straight factual history with real life characters/street performers/vendors who seem very unaware of the camera. The documentary has extremely surreal and quite tragic scenes by turn and encapsulates a London undocumented in the media of the time.

Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might pursue the woman's 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love, but whose affections shall be thwarted by a devious trickster named Clare Quilty.

In 1930 fishermen in the small Catalan port of Esperanza make a grim discovery in their nets, the bodies of a man and a woman. The resultant ringing of church bells in the village brings the local police and the resident archaeologist, Geoffrey Fielding (Harold Warrender), to the beach. Fielding returns to his villa, and, breaking the "fourth wall", retells…

A rare and enchanting glimpse of English aristocracy before WW1 Set in 1913 England, on the brink of what would be the war to end all wars, the British film classic 'The Shooting Party' focuses on an assortment of upper-crust acquaintances who gather for a weekend of hunting and society niceties (billiards, cards, adultery, draping oneself in jewels the evening after stomping around all day in the muck).

One of the brightest young stars in classical music, teenage cellist Sheku Kanneh-Mason, teams up with the City of Birmingham Symphony Orchestra (CBSO) and Music Director Mirga Gražinytė-Tyla for his debut album.

Vocalist Luba Mason’s as comfortable acting on stage as she is singing in a vocal booth, and equally adept at interpreting Brazilian music as she is reassessing chart-topping Stateside hits.