James Rest

James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic consistency is another clever tool for keeping the listener off balance, with strange, ominous noises lurking in the background to further underscore the dark forces at work. Spooky, compelling stuff.

SOMM Recordings announces the third and final volume of the enthusiastically received One Hundred Years of British Song, with tenor James Gilchrist and pianist Nathan Williamson. Focusing on songs written since 1950, Volume 3 celebrates what Williamson’s booklet note describes as “astonishment at the depth of expressivity of the poetry and music”.

In need of rest and recuperation after suffering under the twin scourges of alcoholism and Benzedrine addiction, saxophonist James Moody backed away from the scene in 1948 and took off to stay with his uncle in Paris for a couple of weeks, only to remain overseas for three years, making great jazz records with some of Europe's finest young players. Volume four in the Classics James Moody chronology assembles all of the recordings he made for the Metronome and Vogue labels in Stockholm and Paris between January 24 and July 27, 1951. The opening tracks, culled from the Swedish portion of the survey, are greatly enhanced by the presence of baritone saxophonist Lars Gullin, a marvelous improviser whose tonalities blend beautifully with Moody's tenor…

A very cosmic/psychedelic album cover has seven black-and-white Tommy James heads coasting over what looks like an acid trip, rainbow behind him, colors dripping upwards. It's the opposite of the black-and-white psychedelic look of the Cellophane Symphony album and the first of James' three final albums for Roulette. If we are to take the discs as three chapters, this one is Tommy James and Bob King proving that Tommy James was the Shondells. "Ball and Chain" is poppy and intense, the Velvet Underground gone bubblegum. Clearly, drugs had some influence on Tommy James' work, and where his ex-bandmates took a stab at the third Velvet Underground album with their Hog Heaven track "Come Away," "Ball and Chain" from the first Tommy James solo album sounds like it is an outtake from the Velvet Underground's Loaded CD…

Behind the lines of the Western Front, the young Scottish composer Cecil Coles sent his friend and mentor Gustav Holst a score, stained with mud and blood. Only one movement survived: the rest was believed destroyed by enemy action.Four months later Coles himself was killed in battle rescuing injured comrades.