For pop artists of a certain generation, taking on the Great American Songbook has become somewhat of a rite of passage, occasionally bordering on cliché. Some, like Linda Ronstadt and Carly Simon, got to it early in their careers, while legacy boomers like Bob Dylan and Paul McCartney offered up their reinterpretations of jazz standards as late-career curiosities, or in the case of Rod Stewart - five volumes and counting - reinvented themselves with them. James Taylor is no stranger to cover songs; everything from early rock to Motown and cowboy songs have popped up in his catalog, not to mention a pair Christmas albums and an entire 2008 set called Covers. As one of the most revered American singer/songwriters of the mid- to late 20th century, it seems almost inevitable that he would eventually take his turn to honor the generation of pop tunesmiths that preceded him…
“These songs were written to be performed by anyone,” veteran folk-pop giant James Taylor tells Apple Music of his covers collection of 14 American standards—called, naturally, American Standard (and not to be confused with the popular toilet brand of the same name). These evergreen tunes, including “My Blue Heaven,” “Ol’ Man River,” and “Pennies From Heaven,” are rarely associated with any particular artist, making them ripe for constant reinvention, which was the songwriters’ intention all along. “The songwriting was all there was in the era that these songs were written, because they would be sheet music—they'd be part of a musical, and who knew who was going to be cast singing these parts. All you had to carry a song was the melody, the lyric, and the changes.”
Although it's only his debut record, American Music reveals Danny Gatton to already be an innovative and supremely gifted guitarist; here he tackles a sprawling range of music, moving easily from rockabilly to jazz to blues.
Chip Taylor will probably always be known as the songwriter who wrote "Wild Thing" and "Angel of the Morning." Born John Wesley Voight (actor Jon Voight is his older brother), Taylor began playing country music while still in high school in Yonkers, New York. After finishing high school, he briefly took up his father's occupation, becoming a professional golfer.
Rhino's fine 16-track collection Used Songs (1973-1980) chronicles Tom Waits' first seven albums, all recorded for Asylum Records. This contains pretty much all his staples from the '70s – "Heartattack and Vine," "Burma Shave," "Ol' 55," "Jersey Girl," "(Looking For) The Heart of Saturday Night," and "Tom Traubert's Blues" among them – sequenced not chronologically, but sequenced for maximum impact. Given the sheer amount of music Waits made for Asylum, it shouldn't be surprising that there are some fan favorites missing, but there are no complaints with what is here, and this provides a near-perfect encapsulation of his pre-Island years, especially for those only familiar with the Island recordings.