Jan Dismas Zelenka (16 October 1679 – 23 December 1745), previously also known as Johann Dismas Zelenka, was the most important Czech baroque composer. His music is admired for its harmonic inventiveness and counterpoint.
A World Premiere recording of Zelenka's complete Psalmi Varii Separatim Scripti. They come from the fourth and last cycle of Psalm settings Zelenka made during his years in Dresden. Detailed notes on them and their texts in English come with the disc.
These lamentations are beautifully conceived by Zelenka who has a knack for providing wonderful melodies imbued with mysticism and dignity both for chorus and orchestra. Each lamentation is about twenty four minutes long and is split into two parts that contain some crafty, intelligent writing. The three soloists are quite magnificent in their portrayals of Christ's passion with Michael George particularly impressive in all pieces.
Jednou z dominant letošního edičního plánu Supraphonu je světová premiéra historicky tak nepřehlédnutelného díla, jakým je korunovační opera Sub olea pacis největšího českého barokního skladatele Jana Dismase Zelenky (1679-1745). K velkolepé pražské korunovaci habsburského panovníka Karla VI. českým králem roku 1723 se připojili i pražští jezuité, když si u nejslavnějšího žijícího českého skladatele a navíc svého odchovance objednali velkolepou hudební fresku. Skladatel jejich přání s radostí vyhověl a dokonce své dílo přijel do Prahy nastudovat, a můžeme dnes říci, že se mu jeho tvůrčí pokus bezezbytku vyvedl. Více než hodinu a půl trvající skladba je jedním z nejlepších plodů barokní estetiky a navíc - po formální stránce - jednou ze čtyř úplně dochovaných tzv. školských her.
Bohemian composer Jan Zelenka (1679-1745) spent the last 35 years of his life in Dresden, first as a double bass player and then as composer for the court, writing primarily for the church. This monumental Mass (“in honor of God the Father”) is one of several he composed in the last years of his life, and its structure–the main parts of the mass are subdivided into smaller sections–allows for a wide variety of scoring, including different configurations of soloists, solo arias, chorus alone, and chorus with solo singers.
With this recording of Missa Sanctae Caeciliae (ZWV 1) and the motet Currite ad Aras (ZWV 166) two ‘firsts’ of Zelenka are presented: Missa Sanctae Caeciliae is his earliest mass composition, and Currite ad Aras is the first-known work written after Zelenka was sent to Vienna in 1716.