Jane The Virgin

Between 1980 and 1998 Simon Rattle conducted no less than 934 concerts with the CBSO. Together they performed works by many 20th-century composers, as well as established favourites, and gave a total of 16 world premieres. Rattle also made 69 recordings for EMI with the orchestra. This box brings together that recorded legacy, which includes pieces by composers pivotal to his work, such as Mahler, Sibelius and Szymanowski, as well as some of the new compositions he championed — Nicholas Maw’s Odyssy, Mark Anthony Turnage’s Momentum, Three Screaming Popes and Drowned Out, and Thomas Ades Asyla.

Though they emerged alongside grunge acts like Nirvana and Pearl Jam, the Smashing Pumpkins were the group least influenced by traditional underground rock. Headed by principal songwriter and frontman Billy Corgan, they fashioned an amalgam of progressive rock, heavy metal, goth, psychedelia, and dream pop, creating a layered, powerful sound driven by swirling, distorted guitars that churned beneath Corgan's angst-ridden lyrics. One of the most visible alternative rock bands of the early '90s, they achieved mainstream success over the decade with classic releases Siamese Dream and Mellon Collie and the Infinite Sadness before entering an uneven and often tumultuous chapter that carried them into the 2000s.

Celebrated as the musical poet of the English landscape, Vaughan Williams was also a visionary composer of enormous range: from the pastoral lyricism of The Lark Ascending and the still melancholy of Silent Noon to the violence of the Fourth Symphony and the grand ceremonial of All people that on earth do dwell, he assumed the mantle of Elgar as our national composer. This edition, released to mark the 50th anniversary of his death, presents all the major orchestral, chamber, vocal and stage works, as well as many lesser pieces and rarities, in the finest interpretations. All your favourite Vaughan Williams is here, in over 34 hours of music on 30 CDs.

The title of Rarities 1971-2003 is a little misleading, as is the cover photo of the Stones in prime late-'70s form: both suggest that this long-awaited trawl through the Rolling Stones vaults, released in conjunction with Starbucks' Hear Music label but available in all conventional retail outlets, will be heavy on '70s material. That's certainly not the case. There are just three '70s cuts here, actually – four if you count the live "Mannish Boy," which appeared on the 1977 double live album Love You Live and the 1981 odds-n-sods collection Sucking in the Seventies, which was reissued earlier in 2005, the same year Rarities 1971-2003 came out…