RAINBOW'S tour of Japan in March 1984 would be their final set of live shows before they disbanded in April that year with Ritchie Blackmore and Roger Glover joining the Deep Purple Mark II reunion. This show from the famous Budokan in Tokyo captures the band in scintillating form performing tracks from across their career including a stunning version of "Difficult To Cure" with full orchestra and other classics including "Spotlight Kid", "I Surrender", "Catch The Rainbow", "All Night Long", "Can't Happen Here" and more.
There has been no shortage of Deep Purple compilations over the years, but unlike some of the British hard rock legends' contemporaries (Sabbath, Zeppelin, etc.), they've managed a fairly consistent stream of output since their 1968 debut. Rhino's A Fire in the Sky, a 40-track career retrospective that includes at least one song from every studio album through 2013's Now What?!, is easily the most comprehensive anthology that the band has released to date – a more manageable, largely singles-oriented 20-track version is also available, as is a triple-vinyl edition. Despite cycling through too many lineup iterations to mention, the band has consistently adhered to the heavy blues-rock foundation that made career highlights like "Hush," "Smoke on the Water," "Highway Star," and "Woman from Tokyo" so essential.
Japanese first CD pressing, issued and manufactured by CBS/Sony Japan in early 1983. This is Quarterflash's strongest CD. Although it doesn't have the smash hits of the first album, overall it is a better album. This album is 40 minutes long and has 10 tracks. 7 of those are very good. And of the three bad tracks, only one is horrible. The problem with Quarterflash's first album is that the bad tracks are so bad, it takes away from the enjoyment of the good stuff. On this CD, it possible to sit through bad tracks without suffering.
The British band Fantasy released two albums in the early '70s of predominantly pastoral progressive rock. Originally called FireQueen, the group was comprised of Paul Lawrence (vocals, guitar), David Metcalfe (keyboards), and Dave Read (bass). Their first album was Paint a Picture (1973), a mellow and imaginative collection of song-based material that featured a heavy use of acoustic guitars, Hammond organs, and pianos. In 1974, the band recorded Beyond the Beyond, which was not released until 1992. The album saw the group expanding their sound into more quintessential progressive material while remaining true to the pastoral sound of their debut.
While much of Europe was winding down out of the progressive rock era and heading to safer grounds while the flood of punk and disco sounds were trumpeting around the world, the Swiss band CIRCUS continued to swim upstream by cranking out some of the most complex sounds of the entire 1970s. While forming in 1972 in Basel, the band nurtured its intelligently designed art form to the point the four members of Marco Cerletti (bass, bass pedals, guitar, backing vocals), Andreas Grieder (flute, alto saxophone, backing vocals, tambourine), Roland Frei (lead vocals, acoustic guitar, saxophone) and Fritz Hauser (drums, vibraphone, percussion) succeed in carving out an utterly distinct niche within the prog universe that to this day still sounds like no other.