The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists.
The centenary of the birth of Charles Mingus, in April 2022, has served to reinforce his importance in twentieth-century music. His “achievements surpass in historic and stylistic breadth those of any other major figure in jazz.” (New Grove Dictionary). Mingus could be angry, even violent, but also loving and tender, and all of these aspects of his complex character are reflected in his music. As he once said, “I'm trying to play the truth of what I am. The reason it's difficult is because I am changing all the time.”
Norman Granz is one of the most important non-musicians in the history of jazz and no one has made a greater contribution to the staging, recording and filming of jazz concerts. This series of performances from the prestigious Montreux Jazz Festival now makes a part of this legacy available on DVD for the first time. Norman Granz initiated the concept of Jazz at the Philharmonic in the forties. The idea was to gather band leaders and soloists in one large venue who would otherwise only be seen individually in small clubs
Freddy Kempf and Andrew Litton with the Bergen Philharmonic Orchestra here join forces to present a disc of works by George Gershwin. Rhapsody in Blue was originally arranged by Ferde Grofé for jazz band before being orchestrated for symphony orchestra. Here Kempf and the Bergen Philharmonic play this original version. Concerto in F was a commission for Gershwin to write a ‘proper’ piano concerto, but still takes the rhythms, melodic structures and bluesy harmonies of popular music.
…An album certain to interest long time Adiemus fans in its development from previous works and introduce Catrin's solo material to new listeners, further investigation is certainly worth a journey.