Jazz Solid Records

Lonnie Smith - Funk Reaction (1977) {Groove Merchant–Solid Records Japan CDSOL-45955 rel 2019}
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© 1977, 2019 Groove Merchant / Ultra-Vibe / Solid Records Japan | CDSOL-45955
Jazz / Jazz Funk / Soul Jazz / Keyboards

A sweet 70s groover from the great Lonnie Smith – a soulful little session that has the keyboardist really stretching out in some great ways! At the time, Smith fares a lot better than some of his late 60s jazz organ contemporaries – as he's got a great lean style, perfect for the decade's increasing use of electric keyboards and larger backings! This set's a great example of that style – as Smith moves way from his 60s soul jazz roots, into the soaring blend of jazz, funk, and soul that you'd also hear on Johnny Hammond albums of the time – almost more soul than jazz, given the presence of vocals on some cuts – but still always with more than enough room for the leader to stretch out and solo. Backings are nice and tight – and handled by Brad Baker (of B Baker Chocolate Company fame).

Lonnie Smith - Keep On Lovin' (1976) {Groove Merchant–Solid Records Japan CDSOL-45933 rel 2018}
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© 1976, 2018 Groove Merchant / Ultra-Vibe / Solid Records Japan | CDSOL-45933
Jazz / Jazz Funk / Soul Jazz / Keyboards

Lonnie Smith's a long way from his Blue Note years here – but the sound is still plenty darn great, thanks to some fuller arrangements from the great Brad Baker – of B Baker Chocolate Company fame! The whole thing's quite electric – with Lonnie on Fender Rhodes and other keyboards on most tracks, and rhythms that bring in bits of strings amidst the smaller jazz combo vamping – a blend that's smoothly soulful, but still more than funky enough to please our ears. Lonnie even sings a bit on the record, too – in this slightly-spacey quality that has echoes of Stevie Wonder – but the main focus overall is on his keyboards, which step out nicely over the backings.

Masaru Imada is a Japanese jazz pianist and composer. He had classical piano lessons. He played jazz in student bands while a student at Meiji University, after which he worked in business for a year. He then decided to pursue music professionally. From 1953 he was part of clarinetist Eiji Kitamura's band.

Takehiro Honda - What's Going On (1971) {Solid Japan Cardboard Sleeve CDSOL-1482 rel 2012}
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© 1971, 2012 Trio Records / Solid Records Japan | CDSOL-1482
Jazz / Jazz Funk / Soul Jazz / Groove

Recorded in the U.S. with arranger Teddy Adams, What's Going On embraces in full the American influences that shape it – the polemical R&B of James Brown and Marvin Gaye looms heavy via covers of "Ain't It Funky Now" and the title cut, while the sound and sensibility clearly draw from West coast soul-jazz innovators like Les McCann and Gerald Wilson. But the curiosity and estrangement inherent in the album's stranger-in-a-strange-land origins are in fact its dominant element: Takehiro Honda doesn't simply channel his myriad influences, he also dissects them, taking them apart and putting them back together to understand how they work. The result is a wonderfully eccentric and heartfelt interpretation of American funk rendered in distinctly Japanese terms – studious but a bit goofy, formal yet passionately groovy.

The Rein De Graaff Trio With Ronnie Cuber And Nick Brignola - Baritone Explosion! - Live At Nick's (1995) {2016 Japan Timeless Jazz Master Collection Complete Series}
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© 1995, 2016 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6429
Jazz / Bop / Hard Bop / Baritone Saxophone / Piano Trio

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. We'd hate to get caught in the force of a baritone explosion – as the horns are so big, that's a lot of metal to have to deal with! Fortunately, pianist Rein De Graaf's got the proceedings here on rock-solid territory – providing just the right sort of swing to keep things moving, yet also keep things in control – while both Ronnie Cuber and Nick Brigola open up on the bigger horns – reminding us why they're some of the few players able to carry forward the deftly soulful legacies of earlier baritone greats like Pepper Adams or Serge Chaloff! The album's a live one, and tracks are nice and long – plenty of room for solos on titles that include "Caravan", "Softly As In A Morning Sunrise", "Crack Down", "Night In Tunisia", and "Blue Train" – plus two short beautiful ballads, "What's New" and "In A Sentimental Mood".

Intrioduction - Intrioduction (1981) {2016 Japan Timeless Jazz Master Collection Complete Series}
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© 1981, 2016 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6425
Jazz / Post Bop / Piano Trio

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The group's name is a bit of wordplay, and might make you think they're presenting themselves in a flip sort of way – but their music is rock-solid, and has this well-crafted, rock-solid approach that's mighty nice! Intrioduction have that open, flowing sensibility that the better European piano groups started to pick up towards the end of the 70s – a tradition that really seemed to flower in France during the 80s and 90s, but which also has a great proponent here – as the piano of Harry Happel opens up in these waves of lyrical lines that often have a lot of power, but a gentler sort of heart as well. Daan Gaillard is on bass and Fred Krens plays drums – and both players make themselves known throughout, but sometimes in nicely subtle ways.

Cedar Walton - Eastern Rebellion 3 (1979) {2015 Japan Timeless Jazz Master Collection Complete Series CDSOL-6331}
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© 1979, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6331
Jazz / Hard Bop / Soul Jazz / Piano

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The lesser-known third album by Cedar Walton's landmark Eastern Rebellion combo – one of the most important indie soul jazz groups of the late 70s, still going strong on this set! The lineup is still the same as on the second set – with Bob Berg on tenor, Curtis Fuller on trombone, and the wonderfully solid team of Billy Higgins and Sam Jones on rhythm. However, the sound here is slightly different – with a more conscious sense of disharmony at times – creating an unsettling edge that replaces the warm, fluid feel of earlier records. The change shows that Walton and the group were still growing and searching – and titles include "Incognito", "Firm Roots", "Seven Minds", and "Never Never Land".

Gloria Coleman - Sings And Swings Organ (1971) {2017 Japan Mainstream Records Master Collection Series CDSOL-45209}
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© 1971, 2017 Time / Mainstream Records / Solid Records Japan | CDSOL-45209
Jazz / Soul Jazz / Mainstream Jazz / Organ

Great work from Gloria Coleman – an overlooked genius on the organ, and part of an elite group of female keyboardists that includes Shirley Scott, Rhoda Scott, and Trudy Pitts! Coleman almost never got the chance to record, but clearly had a sharpness that was honed from years in the clubs – a tight, soulful approach to the instrument that also has her working the bass pedals as strongly as the keys – and an ability to sing at all the right times, in a soul-drenched mode that's even deeper than the vocalizations of Trudy Pitts on her late 60s albums for Prestige. The group's got James Anderson on tenor, Dick Griffin on trombone, Ray Copeland on flugelhorn, and Earl Dunbar on guitar – and titles include the funky "Bugaloo for Ernie", a great version of Kenny Dorham's "Blue Bossa", Blue Mitchell's "Fungi Mama".

Blue Mitchell - Graffiti Blues (1973) {2017 Japan Mainstream Records Master Collection Series CDSOL-45258}
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© 1973, 2017 Time / Mainstream Records / Solid Records Japan | CDSOL-45258
Jazz / Hard Bop / Jazz Blues / Jazz Funk / Trumpet

The fourth of five Mainstream sets led by Blue Mitchell (which has been reissued on CD) finds the flexible hard bop trumpeter joined by a soulful and funky rhythm section (either Joe Sample or Walter Bishop Jr. on keyboards, guitarist Freddie Robinson, electric bassist Darrell Clayborn and drummer Ray Pounds) and tenor saxophonist Herman Riley.

Charles Kynard - Your Mama Don't Dance (1973) {2017 Japan Mainstream Records Master Collection Series CDSOL-45279}
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© 1973, 2017 Time / Mainstream Records / Solid Records Japan | CDSOL-45279
Jazz / Jazz Funk / Soul Jazz / Organ Hammond B-3

Funky organ and plenty of vamping – a really tight little set from the mighty Charles Kynard – who's working here with a really wide-ranging command of the keyboard! As with some of the other Mainstream Records sessions of the time, the backings here are somewhat full – arranged and conducted by Richard Fritz with a style that's almost soundtrack funk at points, but which still has a more jazzy feel overall – thanks to the space given to Kynard's organ solos, and to backings from players who include George Bohannon on trombone, Arthur Adams on guitar, and Paul Humphrey on drums. The set features a surprising cover of Joe Quarterman's classic "I Got So Much Trouble On My Mind" – one that's almost as funky as the vocal original – plus "The World Is A Ghetto", "Superstition", "Zambezi", "Summer Breeze", "Momma Jive", and "You've Got It Bad Girl".