We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.
Trijntje Oosterhuis works on this album, also her return to the Blue Note label, together with the Jazz Orchestra Of The Concertgebouw. Together they have provided a number of Christmas classics with completely new arrangements.
"Amsterdam Concert" is a rare live Miles Davis recording from 1957. This album, one of the least known recordings of Miles Davis, was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack "Ascenseur pour l'échafaud." On this concert, Miles didn't play with his regular quintet, but with the same line-up he used for the recording of "Ascenseur pour l'échafaud." It features Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and Kenny Clarke on drums.
"Amsterdam Concert" is a rare live Miles Davis recording from 1957. This album, one of the least known recordings of Miles Davis, was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack "Ascenseur pour l'échafaud." On this concert, Miles didn't play with his regular quintet, but with the same line-up he used for the recording of "Ascenseur pour l'échafaud." It features Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and Kenny Clarke on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Lionel Hampton was always at his best in a concert setting and this 1979 performance in Haarlem, the Netherlands, is not exception. Fronting a tentet consisting of both veterans and younger musicians, the vibraphonist's energy is contagious to both his band and the audience. The opener, "Glad Hamp" is a furious reworking of the chord changes to "I Got Rhythm," showcasing trumpeter Joe Newman.
Shostakovich jazz music? Taken at face value, this CD is nothing of the sort. Shostakovich's lively and endearing forays into the popular music of his time were just that, and light years away from the work of real jazz masters such as, say Jelly Roll Morton or Duke Ellington And yet they do say something significant about Shostakovich's experience of jazz, as a comparison of these colourful, Chaplinesque Jazz Suite Suites with roughly contemporaneous music by Gershwin Milhaud, Martinu MartinJ, Roussel and others will prove.