Cardboard sleeve reissue with DSD mastering. Five bonus tracks. Rare and groovy work by Barney Kessel – originally recorded for a strange subsidiary of Phil Spector's record label! The album's quite different than some of Kessel's other albums of the earlier years – recorded live with a gritty feel that's really nice – a bit more edge on the strings of the guitar, and a rumbling tone that's a far cry from his lighter work for Contemporary in the 50s. Kessel still retains much of his ability to produce a bell-like tone on the guitar – but he rings out with a tremendous amount of force – spurred on by the crackling club rhythm section of Jerry Scheff on bass and Frank Capp on drums. Titles include 2 great originals – "Slow Burn" and "Sweet Baby" – plus an excellent version of "Recado Bossa Nova", and the tunes "The Shadow Of Your Smile", "Just In Time", and "One Mint Julep". CD features five bonus tracks – including 'Fly Me To The Moon", "The Gypsy In My Soul", and "April In Paris".
Sony Master Sound Reissue Series (1-bit DSD CDs in Mini-LP sleeves with black OBI strip). Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place!
Rare reissue of historic recordings by Scott LaFaro. New DSD remastering. Scott LaFaro left us a very small number of recordings due to his untimely death in 1961. He was a genius who developed a revolutionary way of playing the bass. Whether recorded live or in studio, these recordings are all worth listening to. This album consists of three ABC Stars of Jazz TV probrams as well as a very rare rehearsal session at Bob Andrews' Recordville, the record store belonging to Andrews, the famous devotee of the West Coast jazz scene. All are 1958 performances while LaFaro was with the Victor Feldman group. Recommended for fans of Scott LaFaro!
Reissue with the latest DSD remastering. A tremendous little album from pianist Don Friedman – a trio session, but one that's cut with a mixture of Fender Rhodes and electric bass, which gives the album a majestically soulful groove! Friedman's never sounded better, and the record is easily one of his best – with a sound that matches the best CTI sides of the time, colored by the freedoms of the Japanese recording scene of the 70s – territory that Don never hit this strongly again, and which makes the record a really unique outing, quite diferent than both his early work and later sides. The group features Lyn Christie on bass and Bill Goodwin on drums – and titles include "Paula's Wish", "Canvas On My Mind", "Lullaby For Lynne", "Hope For Tomorrow", and "A Place Within".
Four sides of long improvised grooves from Miles Davis – a set that's quite similar to the classic studio album Bitches Brew, but which captures the sound in more open live setting! The work is more inside than some of the Davis Japanese sessions of the time, but no less revolutionary – really opening up in some wonderful ways – with lots of spacious modal riffing over some heavy vamps. Groovy and quite free at the same time, but not nearly as out as the later electric recordings!
What is immedately noticeable upon listening to Miles Davis' classic first – and only – album with his original sextet is how deep the blues presence is on it. Though it's true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackle," recorded in 1955 for a Prestige session with Jackie McLean.
Of all Gil Evans' orchestral scores for soulmate Miles Davis, PORGY AND BESS is his richest and most ambitious–a watershed of modern jazz harmony which served to secure Davis' pop star stature and define his brooding mystique. Inevitably, even non-jazz listeners own a copy of PORGY AND BESS or SKETCHES OF SPAIN.