Jazz Fusion Instrumental

Prelusion is the debut album from iconic recording artist Patrice Rushen, originally released on Prestige Records in 1974. The album effortlessly zigzags between Post-Bop and Jazz Fusion, and features contributions from legendary saxophonist Joe Henderson. Reissued on vinyl for the first time in 50 years as part of Jazz Dispensary’s Top Shelf series, the album was cut from the original analog tapes by Kevin Gray, pressed on 180-gram vinyl at RTI, and packaged in a gatefold tip-on jacket. Also availavle in 24/192 hi-res.

Prelusion is the debut album from iconic recording artist Patrice Rushen, originally released on Prestige Records in 1974. The album effortlessly zigzags between Post-Bop and Jazz Fusion, and features contributions from legendary saxophonist Joe Henderson. Reissued on vinyl for the first time in 50 years as part of Jazz Dispensary’s Top Shelf series, the album was cut from the original analog tapes by Kevin Gray, pressed on 180-gram vinyl at RTI, and packaged in a gatefold tip-on jacket. Also availavle in 24/192 hi-res.

Although Oregon was founded as an ensemble of soloists, their strength has always been their ability to integrate as a band, a result of their unusual combination of talent and curiosity. None of the members was content with just one instrumental style, but instead developed connections with classical Indian and European music, bluegrass, folk, jazz and experimental avant-garde. With such a solid musical foundation, the Oregon four needed to do little more than appear within a zeitgeist that welcomed improvisational and chamber jazz sounds, and before an audience that valued their wild mix of characters and compositional talents.

In 1970 Miles Davis unleashed “Bitches Brew”. It sold a million and launched a new style of music: jazz rock. It was the culmination of the work of Miles and his musicians over the previous two years. “Directions In Music” illustrates its conception and immediate aftermath. CD version packaged with 20-page booklet. Double vinyl LP version features two printed inner bags.

'The Spark That Bled: Tour '05' was recorded on the road at shows throughout the year and focuses on songs and songwriting with mostly instrumental jungle gym versions of covers, as well as, three JFJO originals.

1984's essential Flame was an incredibly tough act to follow, but the excellent album that came after it, Spectrum, is nothing to be ashamed of either. This 1985 LP found Azymuth paying more attention than usual to other artists' songs. While most of the eight selections are Azymuth originals, Spectrum finds the combo interpreting two Brazilian standards (Antonio Carlos Jobim's "Song of the Jet" and Ivan Lins' "The Island") as well as Marvin Gaye's "What's Going On." And interpret is definitely the operative word.